Peter Gallagher Quotes
I always go back to theatre. It's probably where I'll draw my last breath.
Quotes to Explore
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We will always make music, but Die Antwoord is... finite.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I wanted to go to college and play football.
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The power of Twitter still never ceases to amaze me.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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The only way reliably to gauge the heat of any particular chilli is to cut it in half, so exposing the core and membranes, and to dab the cut surface on your tongue.
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When I get into the studio, I write from my heart.
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I want to be in the small percentage of women who don't settle for conventional roles.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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My aunt is the director of the acapella group Black Voices. I was so struck by them as a child. They sang with such passion and conviction. By the time I turned 15, I had plucked up the courage to ask if I could join the group. Acapella is a different discipline from singing with an accompaniment - it is much more exposed.
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As athletes, we all have egos, we all think we can help, and when you're not given that chance, it's hard to watch.
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Hospice is such a tremendous thing. Patients seem to reach an inner peace.
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My job is to put myself out there. It's beyond my control how I'm perceived.
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We at Fidelity view ourselves just as much a financial information processing company as an investment management firm. That may not be too newsworthy.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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My first Broadway show wasn't until I was a freshman in high school. It was my first trip to New York. I came with a group of theatre kids, and we saw four shows. The very first one was 'Contact.'
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More often than not, theatre critics bubble with enthusiasm about plays that are, when all is said and done, really pretty average.
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Look at all the marriages that have been wonderfully successful where fellows finished their army service and came home to go to college on G.I. bills and their wives worked.
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To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives so that I am essentially telling an entire story and not just a single image.
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I think about being married again, having a home and a wife. No one can ever be married too many times, and maybe if I keep trying I'll get it right one day.
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I always go back to theatre. It's probably where I'll draw my last breath.
