Ozzy Osbourne Quotes
Quotes to Explore
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No Americans wants to see somebody lose their house because of health bills. Their boat? Maybe. Maybe the boat. But not the house.
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I think millennials are a generation that's a little bit behind, maybe four or five years behind the previous generation, as far as when they buy a house.
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I chose my house because I loved the fact that there was a really busy road with lots of things to stare at.
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A beautiful print is a thing in itself, not just a halfway house on the way to the page.
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There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout the filming.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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Sometimes when I'm at my desk, I'll realize that I have contorted myself completely, and I haven't moved for hours, and that my legs have fallen asleep. I am elsewhere, not in my body, not in the room, not in my house.
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I have a whole closet in my house that's dedicated just to jackets and coats, stuff that I've collected over the years.
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I don't know any member of Congress who ever said, 'I'm satisfied with the communication that we have from the White House.'
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I'll see a celadon green room in an 18th century New Hampshire house and just fall in love. Colors stay in my head.
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My mom and grandmother were actresses, and I knew I was going to do this since I was super young. I would put on shows at my grandparents' house and sing 'Somewhere Over the Rainbow' in the living room. I was in drama club and chorus, and I knew every word to 'Grease.'
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My house was a guest house of many Jaina saints, Hindu monks, Sufi mystics, because my grandfather was interested in all of these people.
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My dreams were always small and puny. All I ever needed was a little house with a little picket fence by the sea. Little did I know that I would live in Malacanang Palace for 20 years and visit all the major palaces of mankind. And then also meet ordinary citizens and the leaders of superpowers.
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As long as I can remember, growing up we had a guitar around our house, and I was always plucking on it.
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My only way of getting my uncles' attention or aunts' attention or whoever's attention was by dancing and singing around the house.
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If your house has been on the market for more than four months, take it off the market and re-list it in two months as 'new.'
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We've been in the same house since 1960, so we've been here for 45 years now.
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I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
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From the earliest age, I was just different. I think that's part of every writer's little revenge. You think, 'I'm not a blonde, blue-eyed cheerleader but I'm going to get out of here and do something.'
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I always say 300 is a sci-fi movie as much as anything. It's like that could be another planet. It doesn't have to be earth necessarily. That's like when people get so wrapped up in the politics of 300 I always go, "By the way, that's a sci-fi movie. It's not really a historical film."
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We always know better than anybody else what looks best on us. Even if people are complimenting you, if you think, 'I hate what I have on,' it's not right.
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'The Wicker Man' for me, as an actor, was definitely the best film I've ever done.
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We are sinful not only because we have eaten of the Tree of Knowledge, but also because we have not yet eaten of the Tree of Life. The state in which we are is sinful, irrespective of guilt.
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Its like Dr. Doolittle in this fucking house here.
