Joan Didion Quotes
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Quotes to Explore
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I ended up going to college for visual arts but moved up to New York after I graduated from college in 2006 and started going gung ho to the Upright Citizens Brigade, and I realized that that was what I was really interested in and what I really wanted to do.
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Some borrowers are pretty damn good at fraud.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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Disrespect toward Jesus, as we have seen all too often in our society, is very offensive to Muslims.
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I think pregnancy, like life, is what you make it. I received a good hand. I'm thankful and blessed and so peaceful and can't wait to welcome my son.
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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I am a woman of the 21st Century who is self-assured and speaks my mind.
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You know, I've had an incredible career and I'm blessed.
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Bob Rubin was opposed to signing the welfare bill. He's not exactly what I call a flaming liberal.
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Love cures people - both the ones who give it and the ones who receive it.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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I don't see myself as a diva at all.
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Acting was something I had to do.
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In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
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You don't master your fear. You're not able to say, 'I'm not going to be scared.' But what you can do is say, 'OK, I'm very very scared, but I have to do this and this and this.'
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The NFL is my goal, not my dream. My dream is to have an impact on people.
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I am fascinated with religion or things that people believe in and question that. I think it's interesting.
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There are Katy-Perry-in-concert-type pieces that I look at and am like, 'This dress has a hundred cupcakes on it – I want it!' My mom will always talk me down.
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Europe and North America, we are told, are less dependent on energy-intensive heavy industry than in the 1960s and 1970s. It seems we squeeze more GDP out of a barrel of oil than in those benighted days.
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Popular as Keynesian fiscal policy may be, many economists are skeptical that it works. They argue that fine-tuning the economy is a virtually impossible task, and that fiscal-stimulus programs are usually too small, and arrive too late, to make a difference.
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In the 1880s, a weedy Easterner named Owen Wister had something like a nervous breakdown. Wyoming, with its wide-open spaces and healthy pursuits, was prescribed as a cure. Wister was immediately smitten by the taciturn cowboys and the rules imposed upon them by the cattle barons.
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The Clintons want to do big worthy things, but they also want to squeeze money from rich people wherever they live on planet Earth, insatiably gobbling up cash for politics and charity and themselves from the same incestuous swirl.
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Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing. Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
