Joan Lingard Quotes
Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story.

Quotes to Explore
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If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.
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All four majors are definitely a priority.
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I prepare myself to fight; I prepare myself for myself.
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We had a good time mucking about during 'Band of Brothers' when we were young and single.
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I read people; that's one of my strengths. It's not that I can't be fooled, but I'm not fooled often.
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My father and his eight siblings grew up in the kind of poverty that Americans don't like to talk about unless a natural disaster like Hurricane Katrina strikes, and then the conversation only lasts as long as the news cycle. His family squatted in shacks. The children scavenged for food.
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I ain't scared to do another dating show, but I ain't really trying to. I want to do a talk show or something. I've done enough dating on television. I'm ready to spread my wings, and go down other avenues.
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Violence would be a huge gift to those who want a divided Lebanon.
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I grew up in uptown Jamaica; I went to a rich school. I was raised by my mother and my stepfather; they made sure education came before anything. I had a good childhood, grew up spending time with my bigger brothers and sisters. My people are good people. I was exposed to a lot of different kinds of people and culture.
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I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
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When confronting most crises, whether historic or contemporary, aid agencies generally muddle along on a case-by-case basis. They weigh insufficient information, extrapolate somewhat blindly about long-term pros and cons, and reluctantly arrive at decisions meant to do the most good and the least harm.
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I do Yoga. I'd like to say I do it every morning, but I don't, I just don't have the time.
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I wonder now how tough you have to be to get big things done.
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In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.
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Whenever I've been well-known or hitting the press, I've always had to get my credit card out to prove I'm Damien Hirst.
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Bruckner's Eighth is a colossus.
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In most movies there is a Prince Charming who rides up and saves the girl.
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Jung viewed Freud as a mentor, but he never wanted to be anybody's disciple.
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There's not enough money in the world to get me singing 'Because We Want To' again. I wouldn't do it. I think Beyonce Knowles got a couple of million for a private show but I would be happy to turn it down.
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It's kind of too generic, a male lead.
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Beyond the very extreme of fatigue and distress, we may find amounts of ease and power we never dreamed ourselves to own; sources of strength never taxed at all because we never push through the obstruction
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Saving Milly was a break from this effort because I felt that it was time to be part of something that could shed light on a disease everyone feels they know, when most know so little.
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I heard people saying they were going to become millionaires by the time they were 25 - that's gross and obnoxious, but in California it's looked on as an asset.
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Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story.