Joe R. Lansdale Quotes
I was born in the '50s - 1951. So I grew up during that part of the '50s when everything was supposed to be at its best in America, they claimed, and then eased into the '60s.
Quotes to Explore
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Coaching is the great passion of my life, and the job to me has always been an opportunity to work with our student athletes and help them discover what they want.
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Reading allows me to recharge my batteries.
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I've always had an affinity for the fashion industry - I've always been drawn to it. But I grew up in Calgary in Canada, which, being a fairly isolated city, is not particularly known for having anything to do with fashion.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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I was in a commercial for the Disney channel. I was the camp leader for the campers.
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For me it's also - the music is equally as important. I mean I think as somebody who writes music, there just has to sort of be the marriage between both.
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There is still a funny notion that women should not write violent fiction.
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We do want more, and when it becomes more, we shall still want more. And we shall never cease to demand more until we have received the results of our labor.
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I don't sleep. I hate those little slices of death.
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Manhattan seems pretty developed, you know what I mean? Like, it has peaked in culture.
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I live by a hill. I began walking it and then I began jogging it and then I began sprinting it.
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I just don't watch a lot of TV.
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It is no surprise that companies do not often respond to moral pressure alone. We need to hit them hard in their pocketbook and on their balance sheet. We need to show them that their stock prices will be affected if their actions encourage Iran's nuclear weapons ambitions.
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I think Hispanic community - the values that resonate in our community are fundamentally conservative. They are faith, family and patriotism. Do you know the rate of military enlistment among Hispanics is higher than any demographic in this country? And they are also hard work and responsibility.
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In the '70s I was in exile; every time I went back I wondered if they'd take my passport away.
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Essentially, you have to be aware of a crisis happening: 'Can the company go on if I get hit by a bus?' That's, I think, how you build a great company and something that can scale.
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When I watch video, I try to watch the good starts so I can see how my mechanics are in those. Every once in a while, I'll look at video starts that I struggled, and sometimes in those, there is no mechanical problems; it's just, didn't have good stuff that day.
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The sleeplessness is proven; it eradicates your memory.
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Nothing was made in Trinidad.
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Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space.
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I just want to be able to sit on grass as long as I want to, without anybody telling me to leave. Everything is so restricted, here, in that you actually have to stand behind a line, you can't go up the Canyon and enjoy the view.
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There are two or three performances in your life that are absolutely on, where all the planets are lined up for you and you feel you're invincible.
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I've had many students over the years, sometimes even very sophisticated students, who will be writing and will hit a wall. Often I find it's because they're working out of sequence. Maybe some people can do that, but I don't think that's how fiction works. It's a discovery.
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I was born in the '50s - 1951. So I grew up during that part of the '50s when everything was supposed to be at its best in America, they claimed, and then eased into the '60s.
