Joanne Harris Quotes
Quotes to Explore
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Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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I remember a tour where we played 50 cities in 56 days. We also went to Europe a couple of times.
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Within the sphere of steampunk, there seems to be a rapidly growing subsphere of gadgetless 'neo-Victorian' novels, most of which attempt to recapture the romance of the era without all the sociopolitical ugliness.
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I've been things and seen places.
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The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
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I chose the most explosive dress I could find. I put a ton of makeup on and some great round earrings. I looked like Jennifer Jones in Duel in the Sun.
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Care for life and physical health, with due regard for the needs of others and the common good, is concomitant with respect for human dignity.
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A revolution is a struggle to the death between the future and the past.
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That's a rule in the business. No tongue. You can't really get into it, otherwise, it's weird. I think that particular scene made his (Adam Brody) girlfriend jealous. There were issues.
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I've always been creating my whole life, you know. I've just had a need to create, whether it was sculpting or writing or directing. It's just ever since I was a kid, I don't know.
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Netflix is something I watch.
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Filmmaking is a business and at the bottom line people who don't make fiscally responsible decisions end up going into another line of work.
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Your inner voice is the voice of divinity. To hear it, we need to be in solitude, even in crowded places.
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I couldn't get as big as a bodybuilder. I tried to put on as much weight in the right places as I could. My weightlifting was impressive for me, but not for some of the guys I see down at the gym.
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Age is the first limitation on roles that I've ever had to encounter, and I hit that awhile ago.
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If I were to sum up the negative reactions to my work, I think there are two primary causes: one is that if there is discourse about anxiety it is necessarily going to induce anxiety. It will represent a return of the repressed for a great many people.
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Rather than go to a demonstration to burn an effigy of the author Salman Rushdie, I would have hoped that it'd be the real thing.
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I grew up in a kibbutz in the Galilee, but we were surrounded by Arabic villages, so I heard all these sounds and all this music. My father was very close friends with one of the Bedouin tribes, so I would always go there, to weddings, and I was always very fascinated by that music.
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I was in Puerto Rico going to school, and it was very jarring for me. 'Traumatic' is the only way that I can say it. Kids were making fun of me: 'Oh, you're a Yankee.' And I acted out a lot. A lot. But looking back, and through a little bit of therapy, everything I am has to do with that time.
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When you look at nations today like England, in which great revivals occurred generations ago, there's very little vestige of Christianity left in public life. The Church, by and large, is dead, with only pockets of small Bible-believing churches struggling to make an impact on what's now a very pagan culture.
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We're put here on Earth to learn our own lessons. No one can tell you what your lessons are; it is part of your personal journey to discover them. On these journeys we may be given a lot, or just a little bit, of the things we must grapple with, but never more than we can handle.
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The great thing about books is that you can end with a question mark.
