Joe Pantoliano Quotes
When I interview somebody, I look at their resume to see what they've done, who they've worked with, and how many times. If they've gotten repeat work. Those are the kinds of actors I want to hire.
Quotes to Explore
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I worked on 'Lonesome Dove' three weeks all together. When I heard they were doing it, I wanted to be involved since I'd read the book.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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Knowledge is invariably a matter of degree: you cannot put your finger upon even the simplest datum and say this we know.
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To create something new is both thrilling and excruciating at the same time. It's great to have all these choices in front of you, and to have the writers in the room so you know exactly what they meant. But the downside is you want so badly not to screw it up!
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I always knew I would make the record that I made in 'Carter Girl.'
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I didn't expect to have music as my main thing. I always thought I was going to be a lawyer. When I graduated, I was doing really well with my music in Malaysia. I had stable income, and I had really good momentum in the music industry, so I had to make a decision whether to stop that and continue being a lawyer.
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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I believe that I have been basically anarchistic, anti-religion and anti-industry and business. In other words, anti-bureaucracy. I would like to see people behave well without having to have priests stand by, politicians stand by, or people collecting bills.
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Anytime rock and metal can get on mainstream TV at all, it's a good thing.
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If you feel bored or uncomfortable as you're writing, ask yourself what's bothering you and write about that. Sometimes your creative energy is like water in a kinked hose, and before thoughts can flow on the topic at hand, you have to straighten the hose by attending to whatever is preoccupying you.
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Our company sells about five to six million pounds of sausage a year. We sell it retail and to restaurants. We've got all kinds of products.
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Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
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Comedy is a great weapon of attack. It's not a great weapon of support.
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It is impossible to live without failing at something, unless you live so cautiously that you might as well not have lived at all, in which case you have failed by default.
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Those who do not read criticism will rarely merit to be criticised.
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I need my fill of Indian home cooking.
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People think that I can just walk into a room and get a job, but of the 200 interviews and auditions I go through a year, I may get three yeses. I just have to use my sense of humour to get me through.
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I knew that I wanted to write about a very young woman because I wanted to see the eyes of the art world in a fresh or even slightly naive way. Because there's something very honest about entering a room and not having a read on everyone there.
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The Japanese have a strong tendency to suppress their own feelings. That's the Japanese character. They kill their own emotions.
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I don't want to get fat.
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I have major respect for Kenny Chesney and Carrie Underwood and Sugarland. They are wonderful. They're superstars in the music business.
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I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
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Since my subjects have always been my sensations, my states of mind and the profound reactions that life has been producing in me, I have frequently objectified all this in figures of myself, which were the most sincere and real thing that I could do in order to express what I felt inside and outside of myself.
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When I interview somebody, I look at their resume to see what they've done, who they've worked with, and how many times. If they've gotten repeat work. Those are the kinds of actors I want to hire.
