Max Richter Quotes
'Spring One' probably has only four bars of Vivaldi in it, but it feels like it's all Vivaldi. It's odd. It's a bit like walking around a sculpture, you just sort of see it from a different angle.
Quotes to Explore
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Look at how hard it was to get to where I am. It doesn't make sense to give it up.
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The thing that I'm most passionate about, I'm writing a book called 'Jab Jab Jab Jab Jab Right Hook,' and it really focuses on how to story-tell in a noisy, ADD world.
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I had this 'War and Peace' thing of wanting to experience war as a kind of incredible human enterprise. I even applied to Officer Candidate School. Then the practical side of me kicked in and I thought, 'I really don't want to get drafted.' So I went down to the physical and checked every psychological disorder and drug on the medical history form.
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I got fired for giving coffee away. It was just my regulars. I'd say, 'Don't worry about it,' and they'd put down a dollar tip. Technically, I was stealing. Ethically, I was boosting morale!
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A friendship can weather most things and thrive in thin soil; but it needs a little mulch of letters and phone calls and small, silly presents every so often - just to save it from drying out completely.
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I have felt that connection and stewardship for Earth for as long as I can remember. And not just for Earth, but the whole universe.
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I'll tell you what's helped me my entire life. I look at baseball as a game. It's something where people can go out, enjoy and have fun. Nothing more.
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When I taught, the way in which we got evaluated is what I used to call the drive-by evaluation. Somebody would come in for 20 minutes with a checklist, and that would be your evaluation. So it was clearly a snapshot.
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I had no future with the Dodgers, because I was too closely identified with Branch Rickey. After the club was taken over by Walter O'Malley, you couldn't even mention Mr. Rickey's name in front of him. I considered Mr. Rickey the greatest human being I had ever known.
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Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.
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I find a lot of young filmmakers make too much of an effort to be trendy and they can be pretentious.
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You walk past people in streets, or they serve you in shops, and you know nothing about the horrors they may be living with.
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I try not to look back on my life and be regretful.
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I can't remember writing any of the songs that I've written.
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I remember feeling that Michael was extremely sensitive when it came to that moment. Most directors are and they usually rely, at least in my experience, on the actress to take over. And Michael is a gentleman.
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In 1989, I was on Tiananmen Square with the students, living in their makeshift tents and joining their jubilant singing of the Internationale. In the two decades since, each time that I have gone back, visions from those days seem to return with increasing persistence.
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That's the funniest thing about portraying certain things on screen, sitting next to your parents and they get to see this glimpse of me kissing another guy.
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The next time you see an outside day with a down close lower than the previous day, don't get scared, get ready to buy!
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I don't think I make decisions as an actor based on what I think the fans will or will not want at this point.
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The one thing I have learned as a CEO is that leadership at various levels is vastly different. When I was leading a function or a business, there were certain demands and requirements to be a leader. As you move up the organization, the requirements for leading that organization don't grow vertically; they grow exponentially.
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I have always looked at the world through the prism of money to some degree. If you could follow the money, it explains a lot of things, in all sorts of aspects of the world. You can look at politics through the prism of money. You can look at art through the prism of money. You can look at sports through the prism of money.
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If a prospective Presidential approach can't be explained clearly enough to be understood well, it probably hasn't been thought through well enough. If not well understood by the American people, it probably won't 'sail' anyway. Send it back for further thought.
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'Spring One' probably has only four bars of Vivaldi in it, but it feels like it's all Vivaldi. It's odd. It's a bit like walking around a sculpture, you just sort of see it from a different angle.
