Max von Sydow Quotes
I would love to do parts I have never done before, but unfortunately, if you have had success in a particular type of character, the casting agents think, 'Oh! We'll have something exactly like that.' It's very boring.
Quotes to Explore
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The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
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I want to do everything in the world that can be done.
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I didn't allow failure to break my heart. So I wouldn't allow success to bloat my head.
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In Paris, I met a young American person who immediately became the primary inspiration which awakened my vision and the leading influence that had directed my forces. Throughout my career as an artist, I refer to this person by the word 'Woman.'
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A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.
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We hear so many records these days that are done with click tracks, as opposed to a drummer.
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My success? Being born the son of Moses Annenberg.
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I've always considered myself a character actor.
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Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to be spontaneous in that filmic way that really can work for you.
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Good writing is supposed to evoke sensation in the reader - not the fact that it is raining, but the feeling of being rained upon.
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The Asian brand, which I admire for having become a global success, is Samsung. In comparison, we're just starting, but I believe that we at Uniqlo will be the next Asian brand to do well globally.
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The success of 'Kick' will help in the marketing of other small budget independent films I have acted in.
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I tend to go with a daytime look, pretty natural, but I always fill in my eyebrows - I hate if I leave the gym and my eyebrows aren't done; I'm just very uncomfortable with myself.
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From the very beginning, I envisioned success as selling enough books so I could keep getting published and continue to write what I wanted to without compromising.
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Yes, actually ever since I saw his films and tried to write about them, Sirk's been in everything I've done. Not Sirk himself, but what I've learned from his work.
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I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.
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For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done.
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If you want a thing done well, do it yourself.
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Robin had always wanted to go solo, so when it happened I wasn't angry at all. I understood the situation. But Barry is so full of pride and couldn't understand why Robin had done it.
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Art is Art. Everything else is everything else.
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Commercial movies have to end with moral flags flown again and all that.
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I work with a bunch of producers on every album, but the difference for 'Evolver' was that I couldn't get any time with Kanye. I forget what he was doing at the time, but he was all over the place. We were never at the same city at the same time.
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For the things we have to learn before we can do them, we learn by doing them.
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I would love to do parts I have never done before, but unfortunately, if you have had success in a particular type of character, the casting agents think, 'Oh! We'll have something exactly like that.' It's very boring.
