Burt Rutan Quotes
We didn't have practical model rockets in the '50s. The ones we made were very dangerous and the kids that played with them didn't have all their fingers, and sometimes were blind in one eye.
Quotes to Explore
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We lived on isolated farms and ranches, far from anybody, and when I was young I knew very few other kids, so I lived to a great extent in my imagination.
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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The good news is that parents are the leading influence on kids' decision not to drink alcohol.
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I do a lot of inspirational talks for kids, to motivate them to change their lives and give them hope.
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My legs are nice, my lips are shapely, and my breasts are pretty. They popped up when I was 11 and they weren't small then. I was teased, but now those kids wish they had what I have!
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It is not weird for a dad to be doing the dishes, the laundry, and taking the kids to school, and read them stories for bed.
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My kids like their eggs with catsup. I like mine with salsa.
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I don't spend a lot of money on clothes, which is weird because I am a fashion model, but when it comes to the new collections coming out, I am just praying designers send it to me for free.
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I never really wanted kids. I didn't not want them, but motherhood just wasn't something that pulled at me.
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Nobody talks about how Puffy went to Howard University or about Lil Wayne attending the University of Houston. All the young kids know is what they see on the videos. They don't realize that these guys have taken managerial and business courses, and know how to brand and how to market themselves. They're very smart.
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I think it's difficult for young people to acknowledge being smart, to knowledge being a reader. I see kids who are embarrassed to read books. They're embarrassed to have people see them doing it.
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All the things that most kids hated, I loved. I loved that things were asked of me and that, much to my surprise, I was able to do them. I loved the 10 o'clock bedtime. I loved the responsibility.
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I started as a model in Holland and Chanel took me to New York when I was 19, after which I decided to stay.
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Some kids spent their allowance going to see 'Indiana Jones and the Temple of Doom'; I spent mine on a great-looking lamp I'd found at the flea market and a ceramic bowl from a neighborhood garage sale.
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Anyone who still supports George Bush would still let Michael Jackson babysit their kids.
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When I was a kid, in a very white boarding school in England in the '90s, I had this sort of middle part that kids had - that sort of long, floppy hair. So I was always desperate to have long, floppy hair, and I would try and brush it and spray it, and it would just look like a Brillo pad!
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You look at the NBA: there's all these young kids that are drafted on potential. They go to bad teams, they're in bad locker rooms, and now we got this analytics stuff that doesn't teach kids how to play. We've got these workout coaches that don't teach kids how to play basketball.
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I went to a number of foreign countries, and during whenever I went, I would try to go to an orphanage or a home for children. And I was seeing thousands of kids around the world that needed homes.
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The time that Ted and I spend talking about our careers is almost infinitesimally small. We mostly talk about our kids and our grandkids. I think we talk about our careers if something funny happened at work. We're very childlike in many ways.
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The first time I ever recorded, which was into my boom-box, I was like, 'Wow, check that out.' It sounded great. The narcotic of it was so intense - it was pleasurable. I was like, 'You sound like a band.' Then I ended up spending the rest of my life trying to chase that initial high again.
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Being human is being a lot of things at the same time.
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I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
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We didn't have practical model rockets in the '50s. The ones we made were very dangerous and the kids that played with them didn't have all their fingers, and sometimes were blind in one eye.
