Trevor George Smith Jr. (Busta Rhymes) Quotes
I feel like I introduce another level of my creative ability on every album.
Quotes to Explore
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The stopwatch doesn't lie. The tape measure doesn't lie.
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It's a great time of the year... if you can stand it.
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It wasn't always easy getting up at 5 o'clock in the morning to go to the rink. Sometimes I wanted to just go back to sleep.
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Yeah, I don't like, um, I'm not interested in rock 'n' roll piano. I find it a little grating.
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Hear the other side.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.
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Fear of the future is worse than one's present fortune.
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You should have high expectations for yourself and others should come second.
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Power is something of which I am convinced there is no innocence this side of the womb.
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The automatic bread maker is not as good as breads made by hand, but waking up to the smell of fresh bread is worth the price of admission. We use it for fresh cinnamon raisin toast - mmmmmmm!
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Tales of power and ambition and intrigue and betrayal and desire - when you're telling those in a big way, you automatically want to go to Shakespeare.
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Acting was a way of me finding myself, which I think is the case of a lot of actors, regardless of where they come from.
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It's because we are so flooded with American culture that we're startled when we see ourselves up there on the screen.
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I live halfway between reality and theater at all times. And I was born this way.
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You don't get ulcers from what you eat. You get them from what's eating you.
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Greek philosophy seems to have met with something with which a good tragedy is not supposed to meet, namely, a dull ending.
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Human emotion is more interesting than anything. Everything that is so overtly sexual is not real. Real emotion is sexy. It's vulnerable and raw.
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I am not an academic who happens to have written a novel. I am a novelist who happens to be quite good academically.
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It’s hard to forget, but forgiveness is something you do for yourself.
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'Air' is very placeless - it's set in many different countries, and much of the story is about going places rather than being places. 'Air' is about travelers, and I'm a chronic traveler.
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It's art that pushes against psychological and social expectations, that tries to transform decay into something generative, that is replicative in a baroque way, that isn't about progress, and wants to - as Walt Whitman put it - 'contain multitudes.'
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Documenting trips makes them that much richer. I stick in train tickets and business cards from restaurants. It makes the whole experience poetic, describing the sights, smells and sounds around me. It means I can relive the holiday years later.
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Churches should be able to decide what kinds of unions are sanctified by their denomination, but not what kinds of unions are accepted in the civil arena.
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I feel like I introduce another level of my creative ability on every album.
