G-Dragon Quotes
There are albums that I like because of specific songs, but then there are albums that I like as a complete body of work. 'Ghetto Fabolous' is an album I lived with daily.
Quotes to Explore
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I worked on 'Lonesome Dove' three weeks all together. When I heard they were doing it, I wanted to be involved since I'd read the book.
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The day I finished 'Twilight,' I came home and started bulking up. For 'New Moon,' I'm 30 pounds heavier than I was in 'Twilight.'
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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So people think I'm lying about my age all the time? It's the records that are wrong. I've never told anyone how old I am. The minute they ask me, I say 'That's none of your business.' So that means I've never once lied about my age. Now that's true!
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Best wine if you're stranded on a deserted island? 1982 Salon Champagne.
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You might not agree with me, but I always offer a lot of support.
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I always managed to get in trouble, like every kid. But I had to learn a lot of hard lessons on my own, without parents who would nurture me and guard me through that part of life, at a very young age.
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A lot of what is publicized now is really pretty trivial stuff - you know, what I eat for breakfast, where I have my pedicures, questions that I just cannot for the life of me understand why someone would want to know that.
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Modern surgery has been like a miracle to those who thought the pain was going to go on forever.
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Poetry is an art, the easiest to dabble in, but the hardest to reach true excellence.
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There are young idealists all around the world falling in love with the Yankees now and realists who are gravitating to the Red Sox. I think the universe is on its head.
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There is no more respected or influential forum in the field of journalism than the New York Times. I look forward, with great anticipation, to contributing to its op-ed page.
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Vice is a creature of such hideous mien... that the more you see it the better you like it.
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It was the best route to get folks to understand segregation fast. Civil rights and women's rights had a clear history. Making the transition to rights for people with disabilities became easier because we had the history of the other two.
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I'm not on Twitter, and I don't read the papers day to day, so I am somewhat protected. There's this weird separation between your private and public persona.
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I influence people, hopefully on the positive side.
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There are many cultural prejudices. For instance, even though fresh fish is a regional staple, Catalans don't like sashimi.
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Learning to read the Bible in the light of the times in which it was written is critical.
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An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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In 10 months, I was replaced from three films. That's when I realised I need to take my work seriously. It's a blessing I didn't get things easy. If I had, I wouldn't realise the value of success.
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The 'Sodajerker' podcast is the work of Liverpool songwriting duo Simon Barber and Brian O'Connor.
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They wanted to try this outpatient chemo, and I said no problem. I was adamant. I didn't want to miss any games. It's where I'm supposed to be, and I wanted to be there.
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There are albums that I like because of specific songs, but then there are albums that I like as a complete body of work. 'Ghetto Fabolous' is an album I lived with daily.
