Joe Cole Quotes
Quotes to Explore
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You can never lose anything that really belongs to you, and you can't keep that which belongs to someone else.
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People know my lyrics; they know the stuff I've written, and it's all about life, love, happiness, and these big euphoric moments. It would always bug me when I'd go to a club, and they're playing some chick on a stripper pole on the monitor behind me. I'm like, 'So that's not what I do - that's the other guy.'
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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Bob Dylan has a way with words that simply blows me away. When he forgets his lyrics he just makes up new ones on the spot, that is what I called talented!
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You hold the keys of change within you. You be the change you want to see.
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I thinks it really interesting how they throw the world music samples in there. I often wonder what it would be like to do something like that, but use my lyrics and my kind of style.
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I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
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There was a tsunami and there are terrible natural disasters, all of this because of too little Torah study.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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I stand behind all the lyrics I've ever written; I don't have a problem with that.
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My music and lyrics became an extension of this Indian philosophy.
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My lyrics are my diary - you're hearing every detail of my life.
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Too many times you come across lyrics that sound like you've heard them before or you can't really relate to them. And I think that I write songs that sound fresh and sensual in kind of a layered, lush way. But I also think that they are real, and that's why I wanted to call the record 'Inside Out.'
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It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.
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It was always fun to skate with Paul Wylie and Paul Martini.
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I could have easily never worked again after 'Precious.' I could be back at my receptionist job and no one would be surprised, but I'm having a very crazy little career that no one thought would happen. Although that was never the plan.
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I'm a big fan of lyrics - lyrics are the thing that move me in certain ways.
