Joe Cole Quotes
Quotes to Explore
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I am a big Pink Floyd fan. That is where a lot of the concept lyrics come from.
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You can never lose anything that really belongs to you, and you can't keep that which belongs to someone else.
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People know my lyrics; they know the stuff I've written, and it's all about life, love, happiness, and these big euphoric moments. It would always bug me when I'd go to a club, and they're playing some chick on a stripper pole on the monitor behind me. I'm like, 'So that's not what I do - that's the other guy.'
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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Bob Dylan has a way with words that simply blows me away. When he forgets his lyrics he just makes up new ones on the spot, that is what I called talented!
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Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
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You hold the keys of change within you. You be the change you want to see.
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I thinks it really interesting how they throw the world music samples in there. I often wonder what it would be like to do something like that, but use my lyrics and my kind of style.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
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There was a tsunami and there are terrible natural disasters, all of this because of too little Torah study.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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I stand behind all the lyrics I've ever written; I don't have a problem with that.
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I'm good at melody - I'll write the top-line melody and ideal words I want to go with it. But I'm not that good at writing lyrics. I bounce those back and forth with songwriters or someone who can sing.
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If you were born really ugly like me, have no fear. There's steps you can take to be good-looking. Kind of.
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I think that driving is the least important issue. We as women have a lot more things to tackle before we get to the issue of driving, such as the opportunity to work in any field we choose.
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Although meaningless in a tribal context, numbers and statistics assume mythic and magical qualities of infallibility in literate societies. (p. 114)
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I'm a big fan of lyrics - lyrics are the thing that move me in certain ways.
