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My whole thing is I just always wanted to be a working actor and I just wanted to stop waiting tables.
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Some of the most morally conscious, kindest, most compassionate people are in the entertainment industry, people who want to affect the world and make it a better place through telling human, heartfelt stories.
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The great challenge working on this show for me is wearing polyester all day long and having the worst haircut known to man at the top of my head and sitting under fluorescent lights. That is America, people. Polyester, bad haircuts, under fluorescent lights.
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I was this weird misfit guy from suburban Seattle, I never really fit in, and then I became a drama geek, among all the other different kinds of geek that I was growing up, and I found I was pretty good at it.
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I have an eight-year-old child, and I literally can't wrap my mind around the kind of grief that must be felt when you lose a child.
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My dad wanted to name me after Rainier Maria Rilke, the poet.
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I think we're the only jokeless show on television. I mean really, we have no setups and no punch lines. It's not a joke show. There are funny lines and funny moments but again the comedy is born of the human experience and awkward pauses are a great part of what it is to be human.
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I think God has a tremendous sense of humor.
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So much about religion has to do with rigid, sacrosanct preciousness. I don't live my life that way, and I don't feel that's what Baha'u'llah teaches.
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Pretty much anybody who's ever worked can relate to our show.
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I've always been terrible on regular sitcoms with lots of jokes. I don't know how to tell jokes.