Joe Gold Quotes
Quotes to Explore
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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There's nothing wrong with being anthropomorphic. That's how we understand the world.
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To my knowledge, no one has died from a cyberattack... but there is a gray area between peace and war.
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There are millions of people who consume music illegally every month. Just getting them into a legal service will make the music industry way bigger than it's ever been before.
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I'm really silly. That's the thing that people don't get.
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I'm ready to do something with Lady Gaga or Andrea Bocelli. I'm really grateful that nothing is out of the realm of possibility.
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I had a very modest upbringing.
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Mass layoffs produce big winners and losers. Most workers who remain are financially unscathed, even though their employer is struggling.
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There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
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My golf swing is probably the most horrendous you've ever seen. I look like I'm trying to attack the ball.
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The great majority of Baghdad is a slum - a lot of it's new, but it's still slum. It's usually this concrete-block, one-room design with a door and a window, arranged one-up, one-down, often with a shop with nothing in it on the first floor, and then a one-room apartment above it. There's street after street after street of that stuff.
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People don't hear me talk. They don't expect me to.
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I am not the archetypal leading man. This is mainly for one reason: as you may have noticed, I have no hair.
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It doesn't matter what color, sex, religion, age, sexual orientation, etc., everyone should have the same freedoms and liberties.
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Usually, someone who's in a show gets me a ticket. I feel cornered. I can't walk out if I don't like it.
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I live in the Dark Ages, the 17th century. Actually, I would have loved to be in Paris in the early 20th century when the Ballets Russes were there and Chanel was designing.
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I have a deep compassion for the idea that it's okay to be myself. The idea that anything 'other' is bad and wrong and broken is so wildly off base.
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The new always happens against the overwhelming odds of statistical laws and their probability, which for all practical, everyday purposes amounts to certainty; the new therefore always appears in the guise of a miracle.
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I'm just here to do the best that I can do with the music that I make, and I'm not making it for any other reason than I feel like I have to. These ideas have to be created because they're in me, and if I leave them in my head, I'll go crazy.
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I had a long period of writing what I think of as 'save the world' novels. 'Fledgling' was a chance to play.
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'Twenty Thousand Hertz' investigates the role of audio professionals in our daily lives, from the engineering that ensures a car door closes with that reassuring finality to the Foley artists of Hollywood who synthesise the sounds of marine life using old kitchen equipment gathered at the pound shop.
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Films are fun, but life is much richer.
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I'm the most mellow person offstage. I think it's just, going onstage lets me get out some frustration that I'm too shy to do in real life. Instead of doing it in private, I'd rather do it in front of 1,000 people who've paid $25 to see me lose my mind.
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I've been very lucky in my life.
