Maya Rudolph Quotes
Quotes to Explore
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The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.
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I think it's time we all agree that gender stereotypes are simply the confabulation of our own mind.
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All the time I was writing hit songs with my partner David Porter, I always had the yen to perform. Sure did. And when the opportunity came, I took it. The first album, 'Presenting Isaac Hayes,' didn't do so hot, but it was like a prelude for what was to come.
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I like to be underdressed rather than overdressed. For an event or a premiere, it's fun to dress up more - then I like to experiment.
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I have seen in my life, I have struggled so much. I did not get support from anyone.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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Part of what makes your performances more convincing is that your own image isn't getting in the way. And the more you can keep it like that, the better for your work and your state of mind.
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I think it's possible to be multi-rooted, rather like a banyan tree, without being deracinated.
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You get more insight as you get older, on everything.
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There is a lot of negativity that you welcome into your life when you're an actor. You bare your soul for anyone to see.
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Making movies, you're like an independent contractor - you come in, you have a specific job, and a lot of what you do is completely manipulated, which is good and bad.
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My old man tried to force on me a notion of what it was to be a 'man.' And it destroyed my dad.
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After a point of time, when you get success and fame, money and everything, the purpose of life has to be redefined. For me, I think that purpose is to build bridges. Artists can do that very easily, more than politicians.
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The whole purpose of life is to make yourself happy.
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There's nothing unclassy about being naked, if it's appropriate.
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I always liked parties. You meet people; you can have fun.
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We are not going to be able to operate our Spaceship Earth successfully nor for much longer unless we see it as a whole spaceship and our fate as common. It has to be everybody or nobody.
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Today there are two points where a car manufacturer has interaction with you as an owner of a car. One, you buy the car. Two, you go to the car shop to repair the car.
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I write pretty quickly. Write pretty fast. I was an old press service man. That was part of the necessity of that occupation.
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I don't really care to be a movie star.
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Prices don't merely reflect what people think things ought to cost today; they also reflect what people expect items to cost tomorrow.
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If you really could take the CO2, when you burn hydrocarbons - coal, for example - if you could really capture the carbon and sequester it - they call it CCS - if the extra capital cost, energy cost, and storage costs over time didn't make it super expensive, then that's another path that you could go down.
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I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind.
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I get anxious. That lovely Jewish guilt that comes with ancestry.
