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When you get to my age, and I'm 66 now, you realize that the world is a madhouse and that most people are operating in fantasy anyway. So once you realise that, it doesn't bother you much.
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I have several times made a poor choice by avoiding a necessary confrontation.
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Comedy always works best when it is mean-spirited.
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My biggest regret? Not being knighted by the Queen. I should have been a knight, and I would have been knighted, if I hadn't written one horrible horrible Python sketch which I deeply deeply regret - cue Python sketch: 'Upper Class Twit of the Year'
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Filming takes a lot out of you. It really does. It's immensely demanding, and you have to put the rest of your life in the icebox until you do your final shot.
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Because these people are operating at a very very low level of mental health, they are incapable of understanding the teaching.
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Who's ever going to write a film in which I get the girl? Me!
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If I had not gone into Monty Python, I probably would have stuck to my original plan to graduate and become a chartered accountant, perhaps a barrister lawyer, and gotten a nice house in the suburbs, with a nice wife and kids, and gotten a country club membership, and then I would have killed myself.
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I think that money spoils most things, once it becomes the primary motivating force.
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I used to desire many, many things, but now I have just one desire, and that's to get rid of all my other desires.
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Now most people do not want an ordinary life in which they do a job well, earn the respect of their collaborators and competitors, bring up a family and have friends. That's not enough any more, and I think that is absolutely tragic - and I'm not exaggerating - that people feel like a decent, ordinary, fun life is no longer enough.
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It seems astounding to me now that the video games are perhaps as important as the movie themselves. And people will spend 2 or 3 years obsessing about the video game in exactly the same way that they'd be obsessing about the movie if they were working on that.
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I love having different cultures around, but when the parent culture kind of dissipates, you're left thinking, 'Well, what's going on?'
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If I can get you to laugh with me, you like me better, which makes you more open to my ideas. And if I can persuade you to laugh at the particular point I make, by laughing at it you acknowledge its truth.
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I'm not saying Obama is right on everything. Of course not. He may be wrong on a number of things. But what I do know is that he behaves like a very, very sane man almost all the time.
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Sci-fi has never really been my bag. But I do believe in a lot of weird things these days, such as synchronicity. Quantum physics suggests it's possible, so why not?
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I think it's because in America you always get the sense that if you fail, you can just pack up your things and go somewhere else and try again. But in England, it's so geographically small that if somebody succeeds here, it reduces your chances of succeeding.
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When I was teaching, the headmaster told me 'You know, the sad thing about true stupidity is that you can do absolutely nothing about it.'
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If I like chocolate it won't surprise you that I have a few chocolates in my fridge, but if you find out I've got 16 warehouses full of chocolate, you'd think I was insane. All these rich guys are insane, obsessive compulsive twits obsessed with money — money is all they think about — they're all nuts.
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I was very sad to hear of the death of Ronnie Barker, who was such a warm, friendly and encouraging presence to have when I started in television. He was also a great comic actor to learn from.
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But then acting is all about faking. We're all very good at faking things that we have no competence with.
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I think you can write very good comedy without a partner, but what I love about it, working with a partner, is that you get to places you'd never get on your own. It's like when God was designing the world and decided we couldn't have children without a partner; it was a way of mixing up the genes so you'd get a more interesting product.
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The really good idea is always traceable back quite a long way, often to a not very good idea which sparked off another idea that was only slightly better, which somebody else misunderstood in such a way that they then said something which was really rather interesting.
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I want to write a book which is the history of comedy.