John Coltrane Quotes
I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.
Quotes to Explore
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The colonel replied that he didn't care how my men had got the job done. He was happy that it had been accomplished. He said that, obviously, no matter how much or how little I knew technically, I was able to get the best out of people I worked with.
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I love working with people and having them bring something to the table that I couldn't. I think one of my favourite artists to work with has been Kucka. She's Australian, too, and it's great working with her because we kind of have a very similar take on music, and we like a lot of the same stuff. We're not super-precious about ideas.
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Personally, it was a big honor for me meeting so many families of the fallen soldiers and hearing their stories.
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The people, and the people alone, are the motive force in the making of world history.
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When I read the 'Country Strong' script, I thought, 'Can't they just hand-double it? Can't I just do the rest of the movie and not have to do the performing?' It took me six months to learn to sing and play guitar at the same time.
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Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.
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Every historian with professional standards speaks or writes what he believes to be true.
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I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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My grandma would say if someone else calls you a hillbilly, you might need to punch them in the nose. But if we call ourselves hillbillies, it's a sort of a term of endearment, something that we have co-opted.
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Brooklyn's good. Brooklyn's funky. Brooklyn's happening.
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I believe that it's better to have a conviction, believe strongly in something, and then the convictions create a style that reflects your mentality.
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I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
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The thing about Iceland is that we are trapped there anyway, all of us. We have been trapped there for thousands of years.
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It's pure Black Label. It's about violence and booze. That's all it is. There is no plan.
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It's true that every leader needs followers. We can't all be nonconformists at every moment, but conformity is dangerous - especially for an entity in formation.
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I look for someone whose upbringing was somewhat similar to mine because they can understand me - love for the family and everything else. You see someone's relationship with their parents, and you realize what that person's going to be like as a parent.
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We need to rekindle those values, those strengths as a nation and as a people... And we must do so as one people with one goal.
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Parents should be allowed to choose which cable or satellite channels - sources of the most extreme content - come into their homes.
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I learned a little of beauty - enough to know that it had nothing to do with truth - and I found, moreover, that there was no great literary tradition; there was only the tradition of the eventful death of every literary tradition.
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My parents came over from Barbados in the late 1950s and early '60s.
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You are still lucky - you have a certain type of people who keep buying your music - but then you can get typecast and have to keep making that same music, and you can change only slightly. It's risky to bounce around and change your type of music.
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We may fight terrorism through brute force, but the terror that is unleashed in the name of religion can only be challenged through moral courage.
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People who are digital native, they want to have real-time performance feedback. They want to understand where they are, what might happen, what their future is. And they want to understand that quickly in a very direct conversation.
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I first met Miles Davis about 1947 and played a few jobs with him and Sonny Rollins at the Audubon Ballroom in Manhattan. During this period, he was coming into his own, and I could see him extending the boundaries of jazz even further.
