John Doar Quotes
For a black student to work in southwest Mississippi for example - or in the Delta in 1960, 1961, 1962 - was high-risk work.
Quotes to Explore
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I think studies are really important and shouldn't be compromised.
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I've wanted to be an actor for such a long time that I haven't had anything else in my thoughts. I think my family would have quite liked me to be a lawyer.
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Most of the important composers in our country are clustered in the Northeast.
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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I believe that I have been basically anarchistic, anti-religion and anti-industry and business. In other words, anti-bureaucracy. I would like to see people behave well without having to have priests stand by, politicians stand by, or people collecting bills.
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I let characters be human and flawed and relatable. When we do things that aren't that great, we can understand it.
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I think Little League is wonderful. It keeps the kids out of the house.
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If my company spends money, it should be disclosed to the shareholders and how it was spent. With my personal money, I can do anything I want. But company money should be disclosed.
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As awful as crime can be, it's what happens afterward - the struggling to get out of bed, to put one foot in front of the other - that alters people.
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No person is just one particular emotion.
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The optimal use of natural resources can be made only if there is a well-thought-out policy framework for their exploitation towards a particular end use.
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The joy of winning is not as dramatic as the losses were, because I expected us to win.
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In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
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Religion has caused more misery to all of mankind in every stage of human history than any other single idea.
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I feel like I work on scripts for comedy as well as dramatic stuff the same.
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The journey matters as much as the goal.
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I think the sensitivity that you need to create certain things sometimes would spill over into things that shouldn't have bothered me.
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Some relationships get easier as you get older, depending on what sort of person you are. I don't think I've got any better at them.
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Real people - the interesting ones, anyway - don't remain static, and neither do the ones I write about. Changes take place, and they react to them.
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We're not trying to top ourselves with each record, obviously.
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I love working in television and film, but it's completely different. The theater will always be my home. So I would love to be a lady who gets to work in all of the mediums and who calls the theater her home.
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There was a time when fire and story would fall asleep in unison. It was dream time.
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When I was 20, I wrote a film on spec and sent it to the BBC. They wrote back, 'Usually, when we reject submissions, we like to offer some encouragement, but in your case, we don't see any point in you continuing.' I took it as encouragement anyway, thinking that only people who write terrible things are capable of writing great things.
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For a black student to work in southwest Mississippi for example - or in the Delta in 1960, 1961, 1962 - was high-risk work.
