John Goodman Quotes
Like, every couple of months you read, they rewrite, you come back in, they've animated more stuff - they usually videotape you while you're reading it - so they'll incorporate some gestures and some facial expressions into it.
Quotes to Explore
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If you fall off a horse, you get back up. I am not a quitter.
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Limit to courage? There is no limit to courage.
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Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.
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I had a moment where I left journalism, and I started getting interested in this issue and writing about it, where I felt there was a right side and a wrong side around a lot of these issues relating to education.
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There is a lot of opportunity sitting in global healthcare business. I think there is a strong opportunity to build upon for further growth.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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No good actor ever stops learning. He is constantly evolving.
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I've always been extremely physically active.
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There will never be talking pictures.
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So it's joyful to me, in my 71st year, to be able to be in a play that is absolutely right for my age and my experience, and that is a popular success. What more could you ask as an actor?
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While I have never been more excited about SecondMarket, I have chosen to move on from day-to-day management of the private company/fund business so that I can focus 100% of my energy on our digital currency business.
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It's faith in something and enthusiasm for something that makes a life worth living.
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I've been booed on stages. I'm a little bit tougher than to walk off a stage because someone says something ugly.
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I pick and choose my battles, but I overthink everything because I have to think about everything.
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I find women as writers and as characters are operating within narrow confines. They inherit a kind of ghetto of the soul. I'm trying to enlarge the spectrum.
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According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.
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The Indonesian brands aren't interested in sports people, only movie stars, because they can get more exposure in the media.
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Global conditions are far too complex to be able to imagine that they could ever be really controlled by one power.
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To make a love story, you need a couple of young people, but to reflect on the nature of love, you're better off with old ones. That is a fact of life and literature - and of the novel ever since it fell in love with love in the 18th century.
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I was in Japan a couple of months ago, I saw a preview for the movie Pearl Harbor. And they showed the Japanese airplanes coming in to bomb Pearl Harbor, and I applauded. Nobody else in the theater applauded.
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Reading requires a loner's temperament, a high tolerance for silence, and an unhealthy preference for the company of people who are imaginary or dead.
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Some for renown, on scraps of learning dote,And think they grow immortal as they quote.
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God is a freaking character, with enough foibles, tantrums, and paradoxical behaviors to supply a thousand screenplays. But who do you cast?
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Like, every couple of months you read, they rewrite, you come back in, they've animated more stuff - they usually videotape you while you're reading it - so they'll incorporate some gestures and some facial expressions into it.
