John Goodman Quotes
Like, every couple of months you read, they rewrite, you come back in, they've animated more stuff - they usually videotape you while you're reading it - so they'll incorporate some gestures and some facial expressions into it.
Quotes to Explore
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If you fall off a horse, you get back up. I am not a quitter.
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Limit to courage? There is no limit to courage.
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Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.
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I had a moment where I left journalism, and I started getting interested in this issue and writing about it, where I felt there was a right side and a wrong side around a lot of these issues relating to education.
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There is a lot of opportunity sitting in global healthcare business. I think there is a strong opportunity to build upon for further growth.
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I don't write under the ghost of Faulkner. I live in the same town and find his life and work inspiring, but that's it. I have a motorcycle and tool along the country lanes. I travel at my own speed.
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No good actor ever stops learning. He is constantly evolving.
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I've always been extremely physically active.
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There will never be talking pictures.
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So it's joyful to me, in my 71st year, to be able to be in a play that is absolutely right for my age and my experience, and that is a popular success. What more could you ask as an actor?
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While I have never been more excited about SecondMarket, I have chosen to move on from day-to-day management of the private company/fund business so that I can focus 100% of my energy on our digital currency business.
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It's faith in something and enthusiasm for something that makes a life worth living.
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I've been booed on stages. I'm a little bit tougher than to walk off a stage because someone says something ugly.
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I pick and choose my battles, but I overthink everything because I have to think about everything.
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I find women as writers and as characters are operating within narrow confines. They inherit a kind of ghetto of the soul. I'm trying to enlarge the spectrum.
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According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.
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Global conditions are far too complex to be able to imagine that they could ever be really controlled by one power.
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I would like to do something modern and possibly funny.
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Trying to project our expectations and our desires onto the sci-fi being written in China now isn't terribly helpful.
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I remember reading the cruelest, most awful thing about my hair online. A person speculated about who I was as a person and even read into my personal life based solely off my hairstyle. He or she said I must be lazy because I have short hair. It was just devastating.
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As a child, because manga was always around and I was reading it, I naturally thought, 'Hey, I'd like to draw manga - I'd like to be a manga author!'
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When I first started drumming, when I was 14 or 15, I started writing songs. I wrote for a couple of years, but when we started 'Radiohead' it became very apparent quite quickly that I just wanted to concentrate on the drumming.
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It hasn't been until the last couple years that I've started playing close to my age. But it's fun playing the younger roles because it takes you back to the teen years.
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Like, every couple of months you read, they rewrite, you come back in, they've animated more stuff - they usually videotape you while you're reading it - so they'll incorporate some gestures and some facial expressions into it.
