John Guare Quotes
Quotes to Explore
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We overvalue the arts in relation to the sciences.
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It's a compulsion. I'm always changing parts of me. Even when I was young, I wanted to change my hair color. I was so determined that I dyed my hair with Kool-Aid.
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I remember everything from 1976. I remember I was 14, and I remember my routines.
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There's so much that I can give as a human being - and I know that.
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It's such a weird self-confidence that an artist has - to conceive of this thing that serves no function and say, 'I'm going to really work hard for it and give it and it's just going to matter to people.' You really have to believe it all on your own.
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My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
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I went out there, and I fought Anderson Silva, and you know what? I got a big W, and that's massive for my career going forward.
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I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.
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All the privileged can travel, see different worlds; not everyone can. I think it is important for people to have an interesting locale nearby.
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Without the BBC, the proliferation of television and radio channels by the private sector would simply result in more and more channels, with tiny audiences, all seeking to do the same thing. The future would be one of fragmentation - fragmentation without either plurality or diversity.
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A different language is a different vision of life.
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My father didn't know his last name. My father got his last name from his grandfather, and his grandfather got it from his grandfather who got it from the slavemaster.
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Cancer didn't change me at all. I know lots of people talk about the life revelation. I didn't have that.
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Cotton Mather's publications in his own lifetime amounted to more than 400 titles, and his magnum opus, on which he labored most of his life, remains unpublished: a commentary on every verse of every book of the Bible. Anyone who leaves that kind of record behind issues an irresistible invitation to historians.
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People love things about Hollywood. People love to see the inside of what's going on.
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I remember being in strong physics, physiology and biology classes.
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I liked playing in Chicago, and I gave them everything I had, but I knew in my heart I was a Red Wing.
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Let's be honest: the label of model-daughter-of-celebrity mother is... you know, I don't want to have that label. It's not who I am. It's not my values to go off someone else's name and to be pigeonholed as that. So in a way, that has really pushed me to be more independent.
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I love my early movies, but naturalism is an artist's early style. Now I want to deal with feelings, dreams, an acceptance of irrationality.
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Don't be surprised at Fortune's turns and twists: That wheel has spun a thousand yarns before.
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There are moments in 'Body Snatchers' that touch the sort of thing that I find scary... like isolation and the inability to trust even familiar things. But - is that a horror movie - or a thriller? I don't really know the difference.
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You can't start a movie by having the attitude that the script is finished, because if you think the script is finished, your movie is finished before the first day of shooting.
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Ego verum amo, verum vol mihi dici : mendacem odi.
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Avoiding humiliation is the core of tragedy and comedy.
