Larry David Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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There is more credit and satisfaction in being a first-rate truck driver than a tenth-rate executive.
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If only one in 1,000 people that I talk to goes on to write a good book, that's one more good book that I've helped along... and maybe it will be a book I love myself five or 10 years down the line.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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Even if a university should turn out to be another version of a school, I had decided I could lose myself afterwards as an anonymous particle of the London I already loved.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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One of the first gardens I did outside the family was for the designer Hattie Carnegie. I was 23 then, and I went to her salon, but could not afford any of her dresses myself, though I loved them. Miss Carnegie suggested I do a garden in exchange for a coat and dress, and so I designed and planted a garden for her.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
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Every story I create, creates me. I write to create myself.
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I'm really aware of the conversations that surround young actresses in Hollywood. I always get myself into a hole with these conversations, and I get weirdly quoted, and I sound militant and like I'm not thankful at all, and I'm so thankful of everything that's happening. But I'm an active observer of the machinations of this world.
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There's a tendency among some male writers to make the women in their stories weak and needing of rescue so that their hero looks like a manly man.
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I can't afford to be indifferent to politics, but I don't have personal ambitions.
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The idea that an actress - mostly lauded for her performances in more than a dozen films - somehow represents a threat to Iran's national security is laughable at best. But in Ahangarani's case, far from anything humorous, the allegations have actually resulted in the sober prospect of real prison time.
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I've always felt, even as a songwriter, that the rhythm of speech is in itself a language for me.
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Perhaps I have a wider range than I'd given myself credit for.
