Larry David Quotes
Quotes to Explore
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You've got to be taught to hate and fear.
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Mental health is seen as a massive drag to have to write about - worthy, dull. Something you should 'have' to read / write about.
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Success must never be measured by how much money you have.
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When you're making movies you've got to get obsessive.
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The life of an actor is very hard irrespective of the continent you are in. It is doubly hard when you are only eligible for minority roles.
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If you're famous, you're not free.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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What you pay for an investment is the single biggest determinant for how successful that investment will be. When equity prices are high, your returns will be lower. When they are cheap, your returns will be higher.
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I think I'm developing a kind of subconscious loathing of the word 'franchise.' I just think of something that's packaged, something you can buy on a shelf and is immediately disposable. I don't know. It's a really weird word for me.
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You can't tell a millionaire's son from a billionaire's.
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Well, Eminem, you know, I know him longer. Ive been signed to his label since 2001 and he's a good friend.
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When you are the invisible man to the head coach, the only option is to head for the exit.
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So there clearly is a sense in which the Labour Party here, certainly at State level is reaching out and connecting with people and reflecting the aspirations and needs of, you know the mass of ordinary Australians.
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For an actor, a Mamet play is definitely on the list of things you hope to be a part of before it's time to exit.
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You well know, sir, that when the Constitution was submitted to the People of the respective States for their adoption or rejection, it awakened the warmest debates of the several State conventions.
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I don't talk about success. I don't know what it is. Wait until I'm dead.
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People tend to think that numbers are quite objective, but numbers in economics are not like this. Some economists say they're like sausages: you don't know what they really are until you cut into them.
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Well, I must tell you I write the scripts very close to the bone. So I'm writing episode seven now and couldn't tell you what happens in episode eight.
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I'll be the first one to admit that if I have conclusions based on faulty premises, then let me know about that, and I'll be the first one to change it.
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You rarely pay the rent by doing Shakespeare or Ibsen.
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With me, what you see is what you get.
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I do not like carving the world into segments; we are one world.
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I live life what I consider to be normal.
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You write about what you know.
