Peter Krause Quotes
And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.
Quotes to Explore
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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
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Bollywood music is definitely a big part of Indian music and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work.
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Filming is quite exciting because every day is different, but it can involve long hours standing around in chilly locations. Theatre is a very different challenge because every night you're striving to keep it fresh, even though you might have been performing the same play for months.
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Everything has become so easy. It's great that it's at your fingertips, but I miss those good old days. And we're connected, but it can be very alienating. There is this distance between all of us because we're speaking to each other through cameras and monitors and icons and Emojis.
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I feel like I'm a secondary artist, a kind of a conduit for the writer, and if it's a good writer, then I have a great road map.
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If any ideology is so serious that you can't have fun while you're doing it, it's probably too serious.
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The good reviews that people have told me about through the years haven't really helped me do my job. So it's kind of like, if your hair turns out right you want to go out, you don't just want to stay in and look in the mirror. That's kind of what reading a review is like to me; it's like reveling in something that's just one night.
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Lately I've been feeling like 50 percent of the great content I read comes from Twitter conversations.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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Everywhere in my house are these little things that have meanings and make me think of great memories.
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I don't know how to not have fun. I'm dying and I'm having fun, and I'm going to keep having fun every day I've got left.
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The Broken Bow group is such a great family and seem like a group of tight-knit people. When I looked for a new label, I wanted to feel I could trust everybody. I wanted motivation to be at an all-time high.
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I was aware that everybody said I was going to be a vast mega-flop, and that William Hague was just oh-so intelligent, and oh such a great parliamentarian, and therefore so different from me! So I thought, I must deprive them of the satisfaction of proving themselves right.
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I was pretty much a hippie. I was a vegetarian, gypsy-like. I liked to meditate, and it's curious because I was very much attracted to the possibility of change.
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Before we acquire great power we must acquire wisdom to use it well.
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I have two or three guys that I'm really close to. We have a great friendship, and I think that helps our songwriting relationship. It's hard to start... with new people and cover the ground that I've covered with those guys.
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My dad was so much fun growing up.
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What's so great about Sundance is that they only accept such a small handful of films per year for dramatic competition, so you know when you're going to Sundance that you're going to see top-quality projects.
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A great deal of pressure was then built up to remove me from the club and my resignation was, finally, a forced one.
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I definitely am drawn to strong females who are successful, smart women because I am a woman like that. I think it's important to portray those kinds of women on film and television.
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Every man needs two women: a quiet home-maker, and a thrilling nymph.
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The viewer I picture in my mind when I do 'The Kelly File' is a woman who's had a long day, either with the kids or at work, or both.
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It isn't given to us to see ends. We can only attend to the beginnings and make them right.
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And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.
