Peter Krause Quotes
Making a television show is a difficult, collaborative, creative endeavor, and it really requires everybody to band together and all work together every day.
Quotes to Explore
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Cats are impossible to work with. They're just very difficult because you can't really train them. They're not really interested in whatever you want them to do. Dogs want to please you; cats only want to please themselves.
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First, how do we give everyone a fair shot at opportunity and security in this new economy? Second, how do we make technology work for us, and not against us - especially when it comes to solving urgent challenges like climate change? Third, how do we keep America safe and lead the world without becoming its policeman?
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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I know from my own experience that great films and great actors can have a really big influence on you. There is a place for art in the world, and if you're lucky enough to be good at something and to keep being given work, it's not such a bad thing.
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I found that I need to work, and I wouldn't have known that if I hadn't taken the time off.
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No man is a success in business unless he loves his work.
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In the 1970s and 1980s, I got to do some great work. The Oscars are really nice, but the best part is that I had the opportunity to do that kind of work.
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We should work with the principle that a work that can be done at a lower level should never be escalated to a higher level.
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For my own part, I had rather suffer any inconvenience from having to work occasionally in chambers and kitchen... than witness the subservience in which the menial class is held in Europe.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I'm not an isolated person. The more I connect to people, the more I have the feeling that things work.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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Quality is everyone's responsibility.
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Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I had a job since I was old enough to work - since I was, like, 14.
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Majesty and love do not consort well together, nor do they dwell in the same place.
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My mother raised us to think that if we worked hard, and if we put our end of the bargain in, it would work out OK for us.
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I love playing Jim. I love working with this cast and the opportunity to come back and work with them again was just way too appealing for me. Also, I think this is a great way to wrap up the franchise.
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Yes, I am positive that one of the great curatives of our evils, our maladies, social, moral, and intellectual, would be a return to the soil, a rehabilitation of the work of the fields.
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There's going to be a symbiotic relationship between the edge and the cloud.
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With 'Street Fight,' it took an urban mayoral election and found lots of complexity in there. The same with 'Racing Dreams.' I wanted to show complexity within this world that most documentary people don't know anything about.
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Making a television show is a difficult, collaborative, creative endeavor, and it really requires everybody to band together and all work together every day.
