Peter L. Berger Quotes
The past is malleable and flexible, changing as our recollection interprets and re-explains what has happened.
Quotes to Explore
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Growing up, I was taught that a woman should lower her gaze so that men could never know her thoughts. The so-called modesty of Arab women is, in fact, a war tactic.
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You know when you're 14 and terrified to talk to a girl? I didn't suffer much from that. It seemed very natural to me to talk to girls.
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To me, doing a gay pride show is one of the most fun things. My first show that paid more than $10,000 was in a gay club on New Year's Eve in San Francisco.
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May we be saved from evil thoughts and deed of enemies of world peace who find pleasure in creating havoc and perpetrating all forms of carnage.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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But the fact that some geniuses were laughed at does not imply that all who are laughed at are geniuses. They laughed at Columbus, they laughed at Fulton, they laughed at the Wright Brothers. But they also laughed at Bozo the Clown.
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I have always loathed working out.
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I wish to say that we Anarchists have never changed our position. We are Anarchists as of old and still pursue the same ideals.
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The whole story of the comfort women, the system of forced sexual slavery, the medical experiments of Unit 731, is not something that is in the US psyche. That is changing because many books are coming out.
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The problem of distinguishing prime numbers from composite numbers and of resolving the latter into their prime factors is known to be one of the most important and useful in arithmetic.
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I'm really proud that the LGBT community has gotten behind me because, as I said, I am part of the community, so I do as much as I possibly can for our community and for our rights, so it's nice that everyone is supporting me as well.
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Being a recognised face has its problems. I miss the freedom to go anywhere I want to.
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Loss of hope rather than loss of life is what decides the issues of war. But helplessness induces hopelessness.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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I saw a lot of people have success handed to them that then exploited it. They didn't protect it or cherish it.
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Most historians and other writers of what we now consider 'primary sources' simply didn't think about women and their contribution to society. They took it for granted, except when that contribution or its lack directly affected men.
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I love Japan; it's very special.
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I was a weird but definite kid, and there were essentially no gender roles for me to fit into.
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'The Expats' is a thriller, but one that tends more toward general fiction than toward breathless pulp.
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I hope to attend it as Japan needs to tell the world the lessons, knowledge and reflections learned from the nuclear crisis at the Fukushima No. 1 power plant.
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I do probably come down a little hard on a group of people I call the 'blue chip gays.' I mean people who have managed to become very, very famous and are still very famous partly through staying in the closet, like Jasper Johns, Cy Twombly, Susan Sontag, Harold Brodkey and others.
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A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
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A feeling for history is almost an essential for writing and appreciating good science fiction, for sensing the connections between the past and future that run through our present.
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The past is malleable and flexible, changing as our recollection interprets and re-explains what has happened.
