Peter L. Berger Quotes
The past is malleable and flexible, changing as our recollection interprets and re-explains what has happened.
Quotes to Explore
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Growing up, I was taught that a woman should lower her gaze so that men could never know her thoughts. The so-called modesty of Arab women is, in fact, a war tactic.
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You know when you're 14 and terrified to talk to a girl? I didn't suffer much from that. It seemed very natural to me to talk to girls.
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To me, doing a gay pride show is one of the most fun things. My first show that paid more than $10,000 was in a gay club on New Year's Eve in San Francisco.
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If you work in a public space, you have to be aware that no one is buying a ticket.
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Wong Kar-wai and Ang Lee are two Asian directors I'm really fond of.
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May we be saved from evil thoughts and deed of enemies of world peace who find pleasure in creating havoc and perpetrating all forms of carnage.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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But the fact that some geniuses were laughed at does not imply that all who are laughed at are geniuses. They laughed at Columbus, they laughed at Fulton, they laughed at the Wright Brothers. But they also laughed at Bozo the Clown.
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I have always loathed working out.
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I wish to say that we Anarchists have never changed our position. We are Anarchists as of old and still pursue the same ideals.
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The whole story of the comfort women, the system of forced sexual slavery, the medical experiments of Unit 731, is not something that is in the US psyche. That is changing because many books are coming out.
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The problem of distinguishing prime numbers from composite numbers and of resolving the latter into their prime factors is known to be one of the most important and useful in arithmetic.
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I'm really proud that the LGBT community has gotten behind me because, as I said, I am part of the community, so I do as much as I possibly can for our community and for our rights, so it's nice that everyone is supporting me as well.
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Being a recognised face has its problems. I miss the freedom to go anywhere I want to.
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Loss of hope rather than loss of life is what decides the issues of war. But helplessness induces hopelessness.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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I saw a lot of people have success handed to them that then exploited it. They didn't protect it or cherish it.
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Most historians and other writers of what we now consider 'primary sources' simply didn't think about women and their contribution to society. They took it for granted, except when that contribution or its lack directly affected men.
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I'd much rather have sat there and just been a fly on the wall, instead of having to smile at people. I'd rather have been a waitress. Just gone round and stared at people.
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For life, good youth, hath never an illWhich hope cannot scatter, and faith cannot kill;And stubborn realities never shall bindThe free-spreading wings of a cheerful mind.
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And yes, my plan will continue to reduce the carbon pollution that is heating our planet - because climate change is not a hoax. More droughts and floods and wildfires are not a joke. They're a threat to our children's future. And in this election, you can do something about it.
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My conception around being a woman in 2016 has definitely been shifting over the past year, because I feel like I'm proud of womanhood, and I feel attached to it, and at the same time I'm someone who doesn't believe in having a gender binary, and so often times I separate those two concepts in my mind - the concept of being a woman and the concept of being a girl or being female, being kind of attached to a certain gender identity.
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To history has been assigned the office of judging the past, of instructing the present for the benefit of future ages. To such high offices this work does not aspire. It wants only to show what actually [essentially?] happened (wie es eigentlich gewesen).
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The past is malleable and flexible, changing as our recollection interprets and re-explains what has happened.
