Gene Luen Yang Quotes
With my own comics, I try hard to get the vision in my head onto paper, to have one match the other as closely as possible. With the 'Airbender' comics, I'm working with someone else's vision, an already-established vision. I want to stay true to what's come before.
Quotes to Explore
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At first, before you meet her, you're like, 'I'm gonna meet Angelina Jolie! I'm talking to Angelina Jolie!' And then, within a matter of five minutes, you're like, 'Oh, I'm just talking to my director,' and it's just back to work. She really is all about the work. She's so surprisingly down-to-earth.
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I think what is important for things to be funny is if you the listener, or the reader, get a chance to supply the humor of it yourself.
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If a Chinese student does not know Chinese learning, it's like a person without a surname, a horse without a bridle, a boat without a helm. The more Western learning he possesses, the more hateful of China he will become. Even if he becomes a capable man of vast learning, how can he be of any use to the state?
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When I do retire, I will miss the trips with the team, the jokes with my teammates, the habits: having breakfast with them, playing with them, all the little things.
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It is certain that, because the negligent do not struggle against self, they never achieve peace of soul or do so tardily, and never possess any virtue in its fullness, while the energetic and industrious make notable advances on both fronts.
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What I hope to do in the States is to break up this stereotyping of Muslims and Arabs. I mean, we are basically the only sub-culture that is not represented in Hollywood. And it's funny because everybody is talking about the Muslim world and the Arab world, and we are not represented.
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There's no way to understand housing as it exists today without federal policy.
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I don't know who Little Richard is.
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I've always considered myself to be fiercely patriotic. I love Britain - its history and the down-to-earth attitude people have.
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The first complaint we hear from everyone is: 'Why would I want to join this stupid useless thing and know what my brother's eating for lunch?' But that really misses the point because Twitter is fundamentally recipient-controlled - you choose to listen and you choose to leave. But you also choose what to put down and what to share.
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Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to my own broader approach.
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My favorite movies growing up were things like 'The Wizard of Oz,' but as I got older, I really began to admire people like Steven Soderbergh.
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No flying machine will ever fly from New York to Paris.
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The fashion industry certainly has its obscene sides. The cost of a coat can be obscene. So can the cost of a photo shoot if you're working with a really good photographer.
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I don't think the label makes the artist or the artist makes the label. It's the music that makes everything work or not.
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If you have a startup that's keeping it up at night because you think it's so great, then you should do that.
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I have learned to take the part of me that is very fearful and work on that. There is space for that in my life. I have learned to give myself a bit more freedom between 'action' and 'cut.' I come by all that fear honestly, like most humans have. I can't bring it with me to work, so in that way, the work feels quite liberating.
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To demonstrate this simultaneity is by no means trivial, because it may for example happen that the product nucleus always forms in an activated state at first.
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One of the most important decisions you'll ever make is choosing the kind of universe you exist in: is it helpful and supportive or hostile and unsupportive? Your answer to this question will make all the difference in terms of how you live your life and what kind of Divine assistance you attract.
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I grew up in a mostly Buddhist environment.
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Every child has a right to education as much as to life, and every woman the right to live.
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I'm very lucky to be able to work in print and radio. I'm very lucky to be able to work at a time when finance and economics are really important. And the number of people who tell finance and economic stories in a kind of accessible storytelling way, there's much more demand than there is supply.
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With my own comics, I try hard to get the vision in my head onto paper, to have one match the other as closely as possible. With the 'Airbender' comics, I'm working with someone else's vision, an already-established vision. I want to stay true to what's come before.
