Gene Luen Yang Quotes
With my own comics, I try hard to get the vision in my head onto paper, to have one match the other as closely as possible. With the 'Airbender' comics, I'm working with someone else's vision, an already-established vision. I want to stay true to what's come before.
Quotes to Explore
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At first, before you meet her, you're like, 'I'm gonna meet Angelina Jolie! I'm talking to Angelina Jolie!' And then, within a matter of five minutes, you're like, 'Oh, I'm just talking to my director,' and it's just back to work. She really is all about the work. She's so surprisingly down-to-earth.
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I think what is important for things to be funny is if you the listener, or the reader, get a chance to supply the humor of it yourself.
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If a Chinese student does not know Chinese learning, it's like a person without a surname, a horse without a bridle, a boat without a helm. The more Western learning he possesses, the more hateful of China he will become. Even if he becomes a capable man of vast learning, how can he be of any use to the state?
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When I do retire, I will miss the trips with the team, the jokes with my teammates, the habits: having breakfast with them, playing with them, all the little things.
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What I hope to do in the States is to break up this stereotyping of Muslims and Arabs. I mean, we are basically the only sub-culture that is not represented in Hollywood. And it's funny because everybody is talking about the Muslim world and the Arab world, and we are not represented.
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There's no way to understand housing as it exists today without federal policy.
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I don't know who Little Richard is.
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I've always considered myself to be fiercely patriotic. I love Britain - its history and the down-to-earth attitude people have.
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The first complaint we hear from everyone is: 'Why would I want to join this stupid useless thing and know what my brother's eating for lunch?' But that really misses the point because Twitter is fundamentally recipient-controlled - you choose to listen and you choose to leave. But you also choose what to put down and what to share.
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Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to my own broader approach.
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My favorite movies growing up were things like 'The Wizard of Oz,' but as I got older, I really began to admire people like Steven Soderbergh.
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No flying machine will ever fly from New York to Paris.
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The fashion industry certainly has its obscene sides. The cost of a coat can be obscene. So can the cost of a photo shoot if you're working with a really good photographer.
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I don't think the label makes the artist or the artist makes the label. It's the music that makes everything work or not.
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If you have a startup that's keeping it up at night because you think it's so great, then you should do that.
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I have learned to take the part of me that is very fearful and work on that. There is space for that in my life. I have learned to give myself a bit more freedom between 'action' and 'cut.' I come by all that fear honestly, like most humans have. I can't bring it with me to work, so in that way, the work feels quite liberating.
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To demonstrate this simultaneity is by no means trivial, because it may for example happen that the product nucleus always forms in an activated state at first.
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My mother's kitchen was built to be the focal point of our house. I got into the kitchen often as a child.
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'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
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I also believe my musical abilities are a true gift from God.
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Why are women always described as 'desperate,' while men are just... irrational?
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My mom used to say that I became a fighter and a scrapper and a tough guy to protect who I am at my core.
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I had a lot of notes and fragments and observations that never amounted to anything. After the Wall had gone down, so many people were writing about Berlin, I didn't have the same urgency or feel enough authority.
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With my own comics, I try hard to get the vision in my head onto paper, to have one match the other as closely as possible. With the 'Airbender' comics, I'm working with someone else's vision, an already-established vision. I want to stay true to what's come before.
