Gene Luen Yang Quotes
There's something about the intimacy of comics that gives you a false bravado; you don't always consider the consequences.
Quotes to Explore
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I would be very happy doing movies. I love to work and I think I'm a little different.
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America's fine, nice, nice hiking near L.A. But I am European. I love London and Paris. Friends and intellect, big thought, why not?
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Spaces I love to do - the uglier the better - tend to be really old, dated basements - especially from the '60s to the '80s. I love those.
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It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema.
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I strove with none; for none was worth my strife.
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To be honest, I haven't seen much serious budget planning since the Republicans took control of the House after the 2010 elections and grabbed onto the Senate filibuster. It's not the White House's fault that John Boehner couldn't deliver on a bigger deal.
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In high school, we used to sign to each other during the game, signaling different plays and stuff like that. It was kind of fun. It was definitely unique.
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The moral attitudes of a people that is supported by religion need always aim at preserving and promoting the sanity and vitality of the community and its individuals, since otherwise this community is bound to perish. A people that were to honor falsehood, defamation, fraud, and murder would be unable, indeed, to subsist for very long.
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Thanks to television, for the first time the young are seeing history made before it is censored by their elders.
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These children should be enrolled in Independent Living programs designed by state and local governments to prepare them to enter the workplace, or attend college, and successfully manage their lives.
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We are servants rather than masters in mathematics.
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I'm actually introverted and shy.
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All I ever wanted to do was stand-up. It kind of charges me and gives me a rush.
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Guys know how to read each other's signals. They know how to telegraph love for one another without throwing their arms around one another.
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I rarely, if ever, had another book in mind while I was writing the previous book. Each book starts from ashes, really.
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If you listen to The Browns, it's a very pretty sound. It was sibling harmony, a sound that was very pleasing. I've never heard anybody that could come close to that particular sound. It couldn't be imitated.
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Fleetwood Mac were really accessible musically, but lyrically and emotionally, we weren't so easy. And it was our music that helped us survive. But all of us were in pieces personally.
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I think the heartbreak of September 11 - America's grief not only over the loss of life but also the loss of our own innocence -has expanded us as people because it has tenderized our hearts. On a psychological level, the American people have matured as a result of that awful day.
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They were saying computers deal with numbers. This was absolutely nonsense. Computers deal with arbitrary information of any kind.
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What do you want me to do, rob a bank?
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Taste is changing, style is changing, and players' abilities are changing.
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I only worked with people that I musically identify with. I typically chose songs they played for me, but in some instances I told some of the producers how a certain song should sound. Some songs were co-written by applying lyrics I had prepared over top of one of their old instrumentals or simply through improvisation. I wrote all the lyrics and was there during every production process, checking out every sound. However, most of the music was composed by the artists themselves. Most were usually very surprised at how their songs sounded with vocals! C.H.I.F.F.R.E. did the main production very well and we both wanted to try and achieve a roots-y electronic music sound, a little raw and noisy, but not too digital. I wanted a warm sound that left space for intimacy.
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There's something about the intimacy of comics that gives you a false bravado; you don't always consider the consequences.
