Gene Tierney Quotes
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I made my first movie when I was five.
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Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.
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Brad Pitt is a dude who just wants to make good movies. He's not afraid to surround himself with the greatest actors, which I always appreciate because I've also seen actors who only want to surround themselves with weak actors because it makes them look better. That ends up making a poorer movie.
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Rapunzel is a bit more relatable than the other princesses, especially because she doesn't even know that she's a princess until the very end of the movie. I like to think of her as the bohemian Disney princess. She's barefoot and living in a tower. She paints and reads... She's a Renaissance woman.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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I would love to do a 'Scream'-type movie.
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Anytime you put a movie out it's subject to such scrutiny and such criticism.
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When I did 'Boyz N The Hood', I never thought how we grew up in South Central was interesting enough for a movie.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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Once you've been really bad in a movie, there's a certain kind of fearlessness you develop.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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One movie is only one movie. I want to have a lifetime of making films.
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As an actor, you're not kind of thinking about your own work or watching the movie for the first time.
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Even my parents are so cute, and they deal with every movie of mine excellently. They check with me ever so casually by asking 'Now how much of nudity are we going to see in this one?'
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I don't really know anything about the movie business, even though I've lived in Los Angeles my whole life - somehow I've never bumped into it.
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That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.
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I'm very easily influenced, and I'm also a quick study, so I think when I decided I wanted to write pop songs, I literally just listened to pop radio for six months to get a feel for it and understand it.
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I felt that Balanchine was my father towards me. He was the person I most admired and looked up to.
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There's this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can't even fight against because they've been there so long that they've become part of the Western imagination of China.
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Eccentric behavior is not routinely noticed around a movie set.
