John Knoll Quotes
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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Women in their 40s have gone through quite a few different things, and so the roles are going to reflect that. People say, 'Oh, it's done by 40,' and now everyone knows it's not. I actually feel like the roles are a lot more interesting.
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I've been super impressed with what BuzzFeed has done on Facebook with inspiring list posts and on Twitter with political scoops, but YouTube is a giant social platform that has its own quirks and oddities and will require some new approaches.
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I'm trying to focus on my job as I see it, which is to write the next thing and to remain, to the degree that I ever was, a noticer.
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I just want to make a classic. Classic is the standard. I'm just trying to make music that will last a lifetime.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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When romance is done well in a movie, it's awesome.
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To be a good artist, you have to serve the work of art and allow it to be what it is supposed to be.
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Hubert Humphrey talks so fast that listening to him is like trying to read Playboy magazine with your wife turning the pages.
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We're not trying to make you less of a man. We just want you to love us as deeply and as wholesomely and as fully as we love you.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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Art never harms itself by keeping aloof from the social problems of the day: rather, by so doing, it more completely realises for us that which we desire.
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The best job goes to the person who can get it done without passing the buck or coming back with excuses.
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I cultivated this fan base that I really didn't really understand or appreciate until I put my first headlining tour up for sale. 500- to 1,000-capacity rooms weren't an underplay for me at the time. I'd never done a tour before!
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Sometimes you can press a little bit and you're trying to do too much and you're trying too hard. You want to win so bad and you want to help the team so badly that you end up trying too much instead of letting the play come to you.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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I've done a lot of things that I regret.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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I have been obscenely lucky. I've got most of the things I've asked for and done well at the things I've wanted to succeed at.
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Denise Mina is probably one of the most gifted writers out there, whether it's mystery or literary or whatever label you want to give it.
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Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.
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Music is such an important part of society, and the Boston Symphony Orchestra offers such great quality, and we just want to share it.
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My view... would be that we are entering upon a new and interim society which is neither capitalist nor socialist, but in which we can achieve central planning without loss of individual initiative, by the mere process of absorbing initiative in the function of planning.
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Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
