John Lasseter Quotes
We make the kind of movies we like to watch. I love to laugh. I love to be amazed by how beautiful it is. But I also love to be moved to tears. There's lots of heart in our films.
Quotes to Explore
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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At Christmas, I am always struck by how the spirit of togetherness lies also at the heart of the Christmas story. A young mother and a dutiful father with their baby were joined by poor shepherds and visitors from afar. They came with their gifts to worship the Christ child.
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The beautiful thing about working with new instruments is that you sort of approach it with a fresh perspective.
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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It's hard to say how certain stories just punch us in the heart and the brain at the same time at the end. I suppose that's what we're all looking for. But each story has its own valence, its own way of saying goodbye to you.
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On election night 2000, I had never met then-Governor Bush, though I'd supported him for years. I believed he would be a strong, optimistic and gracious president with solid conservative principles and a big heart.
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Let me tell you something - being thought of as a beautiful woman has spared me nothing in life. No heartache, no trouble. Love has been difficult. Beauty is essentially meaningless and it is always transitory.
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Dixie Chicks surprised me with a beautiful three-part harmony version of 'I'll Take Care of You.' And Don Henley's performance of 'The Heart of the Matter' still just slays me every time I hear it.
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Love me or hate me, both are in my favour. If you love me, I will always be in your heart, and if you hate me, I will be in your mind.
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I didn't have children, but I never wanted children.
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He hath freedom whoso beareth clean and constant heart within.
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Death has its revelations: the great sorrows which open the heart open the mind as well; light comes to us with our grief. As for me, I have faith; I believe in a future life. How could I do otherwise? My daughter was a soul; I saw this soul. I touched it, so to speak.
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By nature, men desire the beautiful.
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I think this is really a defining moment for the Arab world. The problem is, it is all going to be about blood, sweat and tears. In certain countries it may be just sweat, and in some countries sweat and tears, and in some countries, as you can see, a lot of blood. I think initial instability is something that we are all extremely nervous of.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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I am a man who is noble. I have a good heart, but at the same time, I'm a little malicioso. There's no way of hiding that side.
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Life would be very dreary if there were no magic. If the real world were only that veil of tears, I just don't think could get up in the morning.
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For hundreds of years Iranians have been migrating to many parts of the world. They took Islamic culture to other parts of the world and established it there.
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I have shed many tears of pain and indignation.
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I went away and cried to the Master of the Universe, 'What have you done to me? A mind like this I need for a son? A heart I need for a son, a soul I need for a son, compassion I want from my son, righteousness, mercy, strength to suffer and carry pain, that I want from my son, not a mind without a soul!'
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I want it to be 70 per cent beautiful, 15 per cent surrealistically beautiful, and the rest so beautiful that nobody can bear it.
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'Hamlet' is so modern; 'Coriolanus' is utterly alien to our consciousness, and that makes it difficult for us.
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We make the kind of movies we like to watch. I love to laugh. I love to be amazed by how beautiful it is. But I also love to be moved to tears. There's lots of heart in our films.
