John le Carre Quotes
I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end. I don't remember any of his ladies being bookish. So I was entirely dependent on my schoolteachers for my early reading with the exception of 'The Wind in the Willows,' which a stepmother read to me when I was in hospital.
Quotes to Explore
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Let's judge a man on what he's done.
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I was completely naive about the business of being an actor. My family didn't go to the theater or to the movies. We watched television like every 1960s small-town American family, and I certainly never thought about being on TV. I thought I was going to be a classical actor in the grand tradition.
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Even in this globalised world, London is still the standard for our times. The city has embraced the world's diversity and represents the finest in human achievements.
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I uplift people and see the good in a bad situation. The worst is I'm very critical of myself. If I do a performance, I watch it 100 times afterwards and pick it apart.
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I don't know if I can prepare for what's to come because I don't know what will.
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You're creating new things in movies and people are going to steal them.
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Lyrically, I personally lean towards venting.
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No man has a good enough memory to be a successful liar.
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I am blessed to have worked in big-budget films at an early stage of my career.
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The advice I would give to someone is to not take anyone's advice.
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What impresses men is not mind, but the result of mind.
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I understand that the tendency of foreign countries in recent years has been to establish particularly close relations with one or two others among all the countries which have general relations. In time of peace, they make secret treaties in advance, and in wartime, they aid one another with military provisions and armaments.
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I think comedy is one of the hardest things to do.
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The easiest way around the bases is with one swing of the bat.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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That's what I've wanted to do my whole life, just act. When I was younger, I loved to entertain people. I always used to make up dance routines, do little plays. I love to perform, basically.
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Because the GIs were sent massively to South Vietnam, maybe it's a good idea to have a broadcast for them.
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In no case can I permit myself to be a candidate of any party or yield myself to any party schemes.
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There's so much bullying with young people and them feeling like they can't come out, and they don't know what to do. And it's something that you have to work through. And, you know, for me, it was - I came out, and then I went back in for a minute. And then I came out, and I was like, 'You know what? This is who I am.'
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I should have more vanity.
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Somehow or other, I always end up in a kitchen feeding a crowd.
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The theory of output as a whole, which is what the following book purports to provide, is much more easily adapted to the conditions of a totalitarian state, than is the theory of production and distribution of a given output produced under the conditions of free competition and a large measure of laissez-faire.
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I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end. I don't remember any of his ladies being bookish. So I was entirely dependent on my schoolteachers for my early reading with the exception of 'The Wind in the Willows,' which a stepmother read to me when I was in hospital.
