John le Carre Quotes
Quotes to Explore
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I love the song 'Into the Night.' It's Roy Orbison meets David Lynch meets Iggy Pop on amphetamines. It has a punk edge that is not HIM, per se. It is super melodic and super '60s, and that is very new to me and it is a sense of achievement to me.
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I had to skydive for the movie and I was terrified. Like everybody, I thought it was going to be one of those experiences that changes your life. It didn't.
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I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
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And my friends, you ain't seen nothin' yet.
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Near the end of my career, I saw things that didn't make too much sense to me when I was a kid.
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When we cover a Chainsmokers song in our live show with ZBB, people are dancing and going crazy.
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I don't want to sound disingenuous here - controversy is obviously good for business, especially if your business is satire. And it does amplify the discussion - in my view, a good thing.
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I'm so tired of men who are afraid to hurt women's feelings.
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We want a money that some government mandarin can't just whisk into existence with a pen stroke.
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I believe in honesty and integrity, having a belief system that you've thought through and then stick to. I believe in being creative and contributing, and I believe in taking a stand against injustice that you encounter in everyday life and not being idle in that respect.
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Age considers; youth ventures.
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As an actor myself, I know we go where the work is, but I think it's sad the Lyric haven't found any homegrown talent.
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My first introduction to New Orleans was from the air, flying high over the city with a view of the land - and water - below.
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You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.
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When I was younger, me and my brother got a video camera, and he used to direct and I used to act. We used to make these silly, stupid short films, which, looking back now, were probably horrible.
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There's the movie you write, there's the movie you shoot and the movie you edit, and often, you find that you're getting the same information out of a scene that you already have and a scene that's actually more powerful, so you have to make the tough decision to take it out.
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People who are short, they're often portrayed as the victim.
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For good or bad, there is a certain level of generalisation when it comes to my work. I want to break that perception. My decision to direct 'Bombay Talkies' or to present 'The Lunchbox' is an attempt to do that. These are the films that gel well with my sensibility, and it's unfortunate, it's not the perception out there.
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I always intended to be light and open. I misjudged the American audience.
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But when we find that one person who completes us, we don't give up. No matter how bad we screw up. We make it right.
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Certainly, living in the U.S., as I have for over two decades, you see how Asians are portrayed in the media... I didn't see myself represented, you know, when I used to look at ads on TV.
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I used to always pull my jersey out of my pants. Earl Tatum was like that, too. I was just more comfortable. There were no rules then. They didn't make you tuck your jerseys in and it was just comfortable for me.
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I cry all the time. I love to laugh, too. It's important to create an environment for yourself where you feel what you need to and don't hold it in.
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You should have died when I killed you.
