Maika Monroe Quotes
There's some freedom that you get with indie films that you don't get with the big-budget ones. There's just a different style. I hope I can switch back and forth for the rest of my career, but I've kind of grown up on indies, and there's nothing better than working with these directors so closely and and being such a huge part of the process.
Quotes to Explore
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I love to walk into Borders or Barnes & Noble and see my books there. It's fabulous.
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When one takes action for others, one's own suffering is transformed into the energy that can keep one moving forward; a light of hope illuminating a new tomorrow for oneself and others is kindled.
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There is a triangular relationship between poverty, child labour and illiteracy who have a cause and consequence relationship. We will have to break this vicious circle.
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Unalloyed love of God is the essential thing. All else is unreal.
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I don't get bothered by fans.
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I learned so much in Zimbabwe, in particular about the need for humility in our ambition to extend mental health care in countries where there were very few psychiatrists and where the local culture harboured very different views about mental illness and healing. These experiences have profoundly influenced my thinking.
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What our eyes behold may well be the text of life but one's meditations on the text and the disclosures of these meditations are no less a part of the structure of reality.
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What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
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I was always going to be a dancer - I drifted into acting.
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When I did 'Alien: Resurrection', a lot of the guys worked on planned production, and one of them was really into comic books and would draw all sorts of characters, and I was impressed with his sketches.
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I was gladly cuffed, shackled, loaded into the caged bus and driven through the main gate of Bare Hill Correctional Facility for what I pray to God will be forever.
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As football gets more globalised, it's probably more important than ever to have one or two players in your team who have grown up in the same streets or been to the same schools as the hard-core fans.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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It should be no surprise that religion in the non-western world has failed to disappear under the juggernaut of industrial capitalism, or that liberal democracy finds its most dedicated saboteurs among the new middle classes.
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There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.
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No one really knows who I am or where I came from in America, and there's something quite nice about that.
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People trash talk me.
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Manhattan seems pretty developed, you know what I mean? Like, it has peaked in culture.
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My mother has often said that the issue of women is the unfinished business of the 21st century. That is certainly true. But so, too, are the issues of LGBTQ rights the unfinished business of the 21st century.
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Becoming a mother has been the most amazing experience - in an instant, you become strong. You have to be a little bit wiser; it's the most important job in the world.
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Donald has a very unfortunate habit. When he gets scared, he lashes out... And he insults and attacks whoever is standing near him... Donald does seem to have an issue with women... Donald doesn't like strong women. Strong women scare Donald.
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I had to find a diet that would kick me back into dating shape, because I know that I can't date at size 8. I have to date at size 2. And it's just a fact of nature. Go get your injections and your chemical peels. You gotta look good to attract a man.
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In the 1970s, Japan moved into the U.S. turf with its televisions, cars, chips, and steel. But if you think about it, the only business Japan destroyed was the U.S. television industry.
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There's some freedom that you get with indie films that you don't get with the big-budget ones. There's just a different style. I hope I can switch back and forth for the rest of my career, but I've kind of grown up on indies, and there's nothing better than working with these directors so closely and and being such a huge part of the process.
