Maika Monroe Quotes
There's some freedom that you get with indie films that you don't get with the big-budget ones. There's just a different style. I hope I can switch back and forth for the rest of my career, but I've kind of grown up on indies, and there's nothing better than working with these directors so closely and and being such a huge part of the process.
Quotes to Explore
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I love to walk into Borders or Barnes & Noble and see my books there. It's fabulous.
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When one takes action for others, one's own suffering is transformed into the energy that can keep one moving forward; a light of hope illuminating a new tomorrow for oneself and others is kindled.
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There is a triangular relationship between poverty, child labour and illiteracy who have a cause and consequence relationship. We will have to break this vicious circle.
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Unalloyed love of God is the essential thing. All else is unreal.
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I don't get bothered by fans.
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I learned so much in Zimbabwe, in particular about the need for humility in our ambition to extend mental health care in countries where there were very few psychiatrists and where the local culture harboured very different views about mental illness and healing. These experiences have profoundly influenced my thinking.
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What our eyes behold may well be the text of life but one's meditations on the text and the disclosures of these meditations are no less a part of the structure of reality.
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What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
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I was always going to be a dancer - I drifted into acting.
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When I did 'Alien: Resurrection', a lot of the guys worked on planned production, and one of them was really into comic books and would draw all sorts of characters, and I was impressed with his sketches.
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I was gladly cuffed, shackled, loaded into the caged bus and driven through the main gate of Bare Hill Correctional Facility for what I pray to God will be forever.
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As football gets more globalised, it's probably more important than ever to have one or two players in your team who have grown up in the same streets or been to the same schools as the hard-core fans.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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My children are English, and both of their mothers were English.
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Few can contemplate without a sense of exhilaration the splendid achievements of practical energy and technical skill, which, from the latter part of the seventeenth century, were transforming the face of material civilization, and of which England was the daring, if not too scrupulous, pioneer.
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It should be no surprise that religion in the non-western world has failed to disappear under the juggernaut of industrial capitalism, or that liberal democracy finds its most dedicated saboteurs among the new middle classes.
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There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.
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No one really knows who I am or where I came from in America, and there's something quite nice about that.
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Many people send me letters in England saying, 'I want to be a war photographer,' and I say, go out into the community that you live in. There's wars going on out there; you don't have to go halfway around the world on an airplane where there are bombs and shells. There are social wars that are worthwhile.
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I want to qualify for the Tour Championship. Being a Georgia Tech grad, playing at East Lake would feel like home.
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I want all my films to look distinctly different, like some other directors I admire. But in a way, I can't really take myself completely out of the movies I make.
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Women are brought up to believe you are going to be the better parent and you know what's best. I don't think that's necessarily true. As much as we have to ask men to step it up, we have to take a look at ourselves and be willing to give up some of that parental power.
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You don't need to give reasons for the things you do- you just have to do what you want. And sometimes the thing that seems messed up to everyone else is what's right for you. You have to do it and not be ashamed of it.
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There's some freedom that you get with indie films that you don't get with the big-budget ones. There's just a different style. I hope I can switch back and forth for the rest of my career, but I've kind of grown up on indies, and there's nothing better than working with these directors so closely and and being such a huge part of the process.
