Francois Nars Quotes
I remember this time I worked with Linda Evangelista on a shoot for Richard Avedon. I just put grease on her face, and it was beautiful.
Quotes to Explore
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We are asleep with compasses in our hands.
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If I was to do anything besides acting, I would be a fireman or a beat cop. I'd do a regular job.
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Money brings a lot of responsibility as to what you're going to do with it, and I've given quite a bit of thought to that.
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I'm still learning my craft.
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The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
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I am a great believer that a captain is as good as his team.
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A stronger yuan could lead to greater Chinese asset accumulation in the U.S. and elsewhere.
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I've had completely gray hair since, like, 30.
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Most of the tasks we do are for humans. For example, a tax calculation is counting numbers so the government can pull money out from my wallet, but government consists of humans.
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One of the missions of 'The Nightly Show' was to have a conversation with America in a sense, and talk about the things that people didn't want to talk about it.
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Dior Couture is like art - they are the art pieces of a fashion house. Each piece is unique and made by hand.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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I was very lucky: I started acting in this highly subsidized German theater world, so there was not so much job insecurity. We had great working conditions, long rehearsal times, well paid.
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I've been training quite hard.
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The thing that I think a lot of guys need to know how to do is not take your mother's advice about honesty being the best policy. Listen to your cool, drunk uncle who tells you to lie. Those are the relationships that last.
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My literary success meant nothing to me.
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Historians tell us that a gentleman named John Ball once captured eight British Amateur titles.
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I like my hands. They do most of the talking.
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In America, it stands out, because it's raw, it's big, it's emotional. My face is raw, big and emotional. It didn't work for the longest time.
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The art of pleasing is the art of deception.
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I've spent a long time giving people the benefit of the doubt, and I'm tired of it.
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At first, I did stories on people who were maybe just eccentric. Omar was a natural progression from that.
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What formed me as a musician, a songwriter, the sound and personality of my band, a whole lot of that happened well before 1991.
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I remember this time I worked with Linda Evangelista on a shoot for Richard Avedon. I just put grease on her face, and it was beautiful.
