Genesis Rodriguez Quotes
I think I'm representing a new generation of Latinos - bilingual, bicultural people.
Quotes to Explore
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The library world is set up on this model where the library is a physical building and has a number of books and serves a geographical community.
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I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.
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My type of basketball is about how to create space, how to maneuver, how to get your shot off.
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I have a classic taste with a twist, because classic never goes away.
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Gov. Perry has led the way in Texas on creating an environment for job growth.
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Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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I think my father was somewhat disappointed in not having had a son, and in that way I was the nearest thing he had.
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You think, 'You hired me because I'm a creative artist with a vision. Don't try and knock it out of me.'
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Growing up, there were TV shows that were very funny but very traditional. Classic things like 'Fawlty Towers,' obviously, and 'Blackadder' were pretty traditionally shot. And then there were the ones that start to break the mold or be really ambitious. The ones that spring particularly to mind would be 'The Young Ones.'
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I have me. I have God. I have my son. Everything else is extra.
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I've always had this sneaking suspicion that I get a kick out of the insecurity.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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I love to see a wood full of bluebells. Growing up in the Kent countryside, I have special memories of this brief annual spectacle.
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A theory is no more like a fact than a photograph is like a person.
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One must do the same subject over again ten times, a hundred times. In art nothing must resemble an accident, not even movement.
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Will I miss Gandalf? Well, I don't miss him, because people are constantly coming up to me mentioning him and talking about him, so I don't feel that I've lost contact.
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The Sherman Act is similar in the economics sphere to the Bill of Rights in the personal sphere.
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While apartheid was in operation, the set-up was a gift for writers if you were looking for a big theme.
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I'm part of the tribe who have said goodbye to one parent and are feeling a sense of responsibility for the one who remains - in my case, my mother. How do I make her time smoother, happier? How do I try to ease her, a widow, away from the dark well of grief without dishonoring the necessity of that grief?
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I wasn't creative enough to imagine my first novel becoming a film directed by Alexander Payne. Nor did I consider the possibility of seeing Hollywood stars moving through my personal version of Hanalei town: going to Tahiti Nui, rehearsing a scene in front of my cousin's cottages, driving the snaky roads.
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The basic contentions of the argument of this book are implicit in its title and sub-title, namely, that reality is socially constructed and that the sociology of knowledge must analyse the process in which this occurs.
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I think I'm representing a new generation of Latinos - bilingual, bicultural people.
