Geoff Mulgan Quotes
Quotes to Explore
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I think that's what the most fascinating part of getting to know someone is - to see how they do things, and how their way of doing things is different from your way of doing things, and the fun of trying to do it their way and to see what value there is in looking at things from their perspective.
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I'm an actor, and I like having attention, I guess. There's a reason I like being on stage. There's a reason I like being in front of a camera. It's that interaction.
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Throughout my Enterprise career, I have been primarily operationally focused.
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A lot of people said I was a rebel. I wasn't.
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I saw 'The Devil Wears Prada.' I don't think it's a reality.
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Political stories in general are tough. They just don't appeal to as wide an audience.
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I wouldn't just have other people write songs and me go out and sing it. I would sit down with a guitar and write 11 or 12 good songs for an album and that is gonna take a long time.
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I think you have to do certain things in the pilot to get your network's attention - to break through... So maybe you push a little further in the first show.
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When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
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We didn't rehearse or play the songs to death before we recorded them, and that let us catch a freshness and energy level we've never really felt while making records.
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I started making music with my band in the '80s, so I am more product of post punk than classical music, and I have always carried on this way.
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I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.
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I used to draw and make plastic figurines and watch 'Wallace and Gromit' films.
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Vatican II was a force that seized the mind of the Roman Catholic Church and carried it across centuries from the 13th to the 20th.
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Different days, I think about different victories. Ricky Hatton is one of those fights. I respect Ricky Hatton. He's a warrior. He's a hell of a warrior.
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I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy to get the idea of putting a strap on the keyboard.
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The challenge is how strange and different my voice sounds, so I have tried to sound like other people and tried to be something I wasn't. I have tried to be a soul singer because someone else thought that a good idea. Not because I did.
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Before 9/11, I was playing a wide range of characters. I would play a lover, a cop, a father. As long as I could create the illusion of the character, the part was given to me. But after 9/11, something changed. We became the villains, the bad guys. I don't mind to play the bad guy as long as the bad guy has a base.
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It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
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Art is fluid, and it travels. You have to let music take you where it wants to take you. You can't necessarily be the controller.
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Life's a pudding full of plums.
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I've always been drawn to all sorts of genres and all sorts of voices.
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One thing about Apple is they have these fanboys - as I always say, 'Sell to the people who love us.' For example when they came up with iPad mini, everyone who had an iPad went out and bought a mini as well.
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The classic think-tank is supposed to be sitting in an attic thinking up grand ideas.
