Geoffrey Canada Quotes
Quotes to Explore
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Born with blue spectacles, you would think the world was blue and never be conscious of the existence of the distorting glass.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Different directors offer you different things, and it's not necessarily the most obvious things.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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One of the first coaches I worked with on the national team told me that I was too skinny, too puny, and had no natural acceleration. He said I'd be better off looking for another facet of sport to follow. That was a really, really bad moment. For a long time, I felt as if my dad was the only one who had faith in me.
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Singing is my passion, my first love and the secret of my energy. Music to me is like finding my inner self, my soul. It gives me a great joy to see audiences enjoying with me. I have given my heart to singing. When I sing, I can feel romance in everything around me.
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Our foreign policy has made a wreck of this planet. I'm always in Africa... And when I go to these places I see American policy written on the walls of oppression everywhere.
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But I'm very thankful that no one is slamming my head against the wall anymore.
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What compromises women - babies, domesticity, mediocrity - compromises writing even more.
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I was taught to confront things you can't avoid. Death is one of those things. To live in a society where you're trying not to look at it is stupid because looking at death throws us back into life with more vigour and energy. The fact that flowers don't last for ever makes them beautiful.
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If at first you don't succeed, try, try again. Then quit. There's no point in being a damn fool about it.
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The project of Ralph Ellison's 'Invisible Man' is exactly that: to assert the beautiful, bountiful, chaotic complexity of one black American male. And, by extension, all black American males.
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I've always believed that it's important to show a new look periodically. Predictability can lead to failure.
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As my early drawings warned me, where humans go, lions and tidal waves follow.
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Only the guys who never made it and will never make it in the U.S. need to put up the front that they don't care about America.
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Sometimes, things just fall into your lap, and that's pretty incredible.
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I know some children's writers write for specific children, or for the children they once were, but I never have. I just thought children might like my sort of visual humour.
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Successful people are dreamers who have found a dream too exciting, too important, to remain in the realm of fantasy. Day by day, hour by hour, they toil in the service of their dream until they can see it with their eyes and touch it with their hands.
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The bargain that yields mutual satisfaction is the only one that is apt to be repeated.
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As has repeatedly been stated, the underlying hypothesis, which in a number of cases has been supported by direct experimental evidence, is that each gene controls the production, function, and specificity of a particular enzyme.
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Stop trying to impress some art-school teacher with a stick up his butt whose opinions you never respected from the time you entered his class until you left it 10 years ago. Draw like you. (p. 27)
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But again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. The schoolteacher is well aware of this. And the question is not one of knowing what punishment or reward attends the making of this calculation. The question is one of knowing whether two and two do make four.
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If you are a lousy teacher, you should be fired.
