John Lurie Quotes
The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it's in public or somewhere, and it's just, how inconvenient that that's there. It takes up so much room, and it's so oppressive.
Quotes to Explore
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Well Sid Pollack was... He was I would say probably, probably the most influential on me.
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I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.
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I didn't grow up listening to The Smiths, but now I am a fan. I love his music and listened to so much of it for the film. It's not a regular biopic; they picked a part of his life that people don't really know about. You learn what informs his lyrics.
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I don't give up on commitments until what I've been asked to do is clearly finished.
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I like bangers and really testosterone-fueled stuff.
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Everybody has to agree that the best thing we can do to start reducing the deficit in this country is to put people back to work.
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My father was raised in the mountains of New Mexico, and he picked cotton for a dollar a day. He was working for the family from the time he was 7.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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I put Tabasco sauce over everything. Or I put it on pretty much anything that wouldn't taste gross - I mean, I wouldn't put it on salad, but I like it on fried chicken, nachos... a lot of stuff.
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Skepticism is an important historical tool. It is the starting point of all revision of hitherto accepted history.
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For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.
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I do not play golf regularly, but I feel that hitting the moving ball in cricket is tougher than hitting a stationary ball as in golf, which requires more concentration and steady hands.
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I miss driving to Goodison Park. I miss just the positive energy of the fans walking into the stadium and how much they care about that club and the team. And I miss the players a lot.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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I was born technically in D.C., and then my family moved to the Columbia area when I was in elementary school. It was right on the line between Clarksville and Columbia in Howard County. I remember it being just like a peaceful, safe atmosphere. I always felt connected to the woods and that whole suburban feel.
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There's no way to know the motives of another person totally, even a person that you know very well.
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I've got that Beethoven energy, that Stravinsky energy. And it's all a gift from the Creator.
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I went to film school and wanted to learn everything there was about making movies.
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I was picked up on a London street by a model agent. She took me to her office and then sent me to Paris to work in shows. It was supposed to be two weeks, but I ended up living there with my Zimbabwean boyfriend. I made enough money modeling and acting in French movies to buy a nice flat.
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I'm always interested to meet my friends' parents, or who they were raised by. Where they grew up, I always find very interesting.
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There's a great deal of scientific evidence that social connectedness is a very strong protector of emotional well-being, and I think there's no question that social isolation has greatly increased in our culture in, say, the past 50 years, past 100 years.
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The contented and economically comfortable have a very discriminating view of government. Nobody is ever indignant about bailing out failed banks and failed savings and loans associations... But when taxes must be paid for the lower middle class and poor, the government assumes an aspect of wickedness.
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I pray every day, several times. It soothes me. I don't ask for anything, except for health.
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The thing with sculpture is, 90% of the time, when I pass a piece of sculpture, it's in public or somewhere, and it's just, how inconvenient that that's there. It takes up so much room, and it's so oppressive.
