John Mason Brown Quotes
Quotes to Explore
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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It's hard to say how certain stories just punch us in the heart and the brain at the same time at the end. I suppose that's what we're all looking for. But each story has its own valence, its own way of saying goodbye to you.
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Certainly by the time I was in seventh grade, I knew I had to have a long education if I wanted to become an astronomer, but I figured I'd try it, and if I didn't get far enough, I could always end up teaching in high school or math or physics.
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With 'Tron,' we had so many crew members around and a stage full of special effects people that know exactly what has to be done in the situations. You're on a stage in sets the whole time.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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I kind of just want to look like a cool French girl in the Sixties most of the time. Or TLC.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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A lot of times, women complain about men around them. It's not always someone else's fault. If you're the common denominator in 57 different relationships that didn't work out, then maybe, just maybe... it's you!
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Writing books is a nice retreat. There's nothing quite like diving into a book for a few hours. That is a big time vacation.
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I spent a lot of time with the LAPD. I spent six weeks training, weapons training, ride-alongs, surveillance, interviewing them, in all different departments and divisions.
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The way I'm portrayed on the Internet is partly my doing, but it's partly the people that are presenting it so, you know, people come to know this strange version of a human. It can be pretty weird because people think I'm digging through dumpsters and smell like crap all the time.
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I act because it's the one time I'm sure of my identity. There's no doubt. It's on paper.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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Music is the best means we have of digesting time.
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Well I think money has been going into political campaigns for a very long time.
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I have the time needed to support the album and tour.
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The 1970s 'Wonder Woman' was sort of a kitsch thing. It was a very specific time for that, and it's hard to modernize something like that.
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The more determinedly I exist, as myself, within the conditions of the time, the more clearly I shall hear the language of the past, the nearer I shall feel the glow of its life.
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Any time you're near a kangaroo, it's a close call.
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I've always been a secret locked-room fanatic. I read my first one when I was about ten or 11, Agatha Christie's 'Murder on the Orient Express,' with David Niven and Peter Ustinov on the cover.
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If I had a chance to do things over again, I might not start singing. It was my husband Doolittle's idea. He pushed me out there, the booger. And I'm out there now, so I might as well make the best of it.
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I think there is an enormous sea change happening in the global workforce. It has a lot to do with globalization. I think that people used to have a hope for a career or meaningful employment, and its been reduced to internships, part-time work or just grossly underpaid work.
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I am ready any time. Do not keep me waiting.
