John Milton Quotes
Such bickerings to recount, met often in these our writers, what more worth is it than to chronicle the wars of kites or crows flocking and fighting in the air?
Quotes to Explore
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You can only begin to share life well when you think well of yourself.
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I want to be an animated character. I'm also doing more writing and directing.
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In the Muslim world, there are many people who have been vocal and we have been very vocal against extremists. But how to win this battle is an ongoing battle. And we must continue to wage the battle for peace.
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Pity is the deadliest feeling that can be offered to a woman.
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I have a Lamborghini Diablo. I have Mercedes 600, a 500, a 300, a 190. I have a Ferrari Testarossa, a Porsche speedster.
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I'm a sort of nuts-and-bolts guy. I'm into turning wrenches and swinging a hammer and wrenching on cars.
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When you play on a team, you learn that there will always be five guys you like, a bunch of guys who are OK, and five you despise. The trick to getting along in any system is not to worry about the five you despise.
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I like seeing girls throw down.
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I am a Zionist.
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The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like 'hey, we're this new band.'
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I wasn't pampered the way a Tyrone Power was.
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Once you're a Virginian, you're always a Virginian.
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People want entertainment, a whole night of it, a whole experience.
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I'm nearsighted in my right eye, have glaucoma in my left, and the nerves in my hands are on Medicare. Basically, I'm on the wrong end of a short sale.
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Carving out an identity for yourself is important so I'm trying to do that as well.
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After school, my sister and I helped our mom in the garden. We grew potatoes, cucumbers, tomatoes - not for fun, but to eat.
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I become a first-time novelist and a senior citizen on the same day.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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I'm like everyone else: I want to play every game, but it's not possible.
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I think what actually works best is local-level individual targeting of key leadership nodes.
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I find this less scandalous than beautiful: a kind of palimpsestic plagiarism that moves through bodies and time, a collective song with no single origin, or whose origin has been erased--the way a star, from our earthly perspective, is often survived by its own light.
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I wanted to like 'Up in the Air' - I like Jason Reitman - but Vera Farmiga left me cold.
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Such bickerings to recount, met often in these our writers, what more worth is it than to chronicle the wars of kites or crows flocking and fighting in the air?
