John Musker Quotes
If you talk about big trends at Disney, these movies generally are generated by directors or directorial teams pitching ideas to John Lasseter.
Quotes to Explore
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Look at how hard it was to get to where I am. It doesn't make sense to give it up.
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No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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I do want to lose weight for my children. I don't want them to think being fat is okay.
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I feel like a lot of directing is casting.
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I think a woman looks best in a sari.
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The only reality show that I do tune in for is 'Shark Tank.'
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That's the great thing with the WWE. They want you to be like John Cena, they want you to be like The Rock, and they definitely give you that platform.
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I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.
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For very long, I wasn't able to find a place for myself in movies. After my initial success, I didn't know how to capitalise on it.
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Famous people feel that they must perpetually be on the crest of the wave, not realising that it is against all the rules of life. You can't be on top all the time, it isn't natural.
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My dad grew up wrestling. He knew Ken Shamrock, and I didn't know who he was at the time. So, he found out that Shamrock was in a gym in Reno, and he wanted me to go try a class with him. I tried it and fell in love the first day. Ken told me that I had potential in this sport, and he's the reason I kept at it.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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I have always been a coward as a child. I am not very brave. I am very aware of the fact that I am not very gutsy.
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Design can successfully bind the ancient nomadic cultures with today's global marketplace, ensuring the preservation of traditions and knowledge for further generations. This aspect of research is obviously rich in its business potential as well.
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Madonna is a creation, so perhaps we should give her and the factory that created her a little credit, but I think that she should quietly disappear now. Poor Madge seems unable to decide whether she wants to look like Marilyn Monroe or Marlene Dietrich.
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People want to come to Pakistan but are not given visas. We wish for visas to be given to those people who want to come to Pakistan.
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Stopping to think is fine for characters, but not for their creators. They have to work.
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Until I went to rehab, I didn't understand what it did.
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A Pretty Mouth is a fine and stylish collection that pays homage to the tradition of the weird while blazing its own sinister mark. Tanzer's debut is as sharp and polished as any I've seen.
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I've tried my hardest to bribe my chef, but my team have been clever and hired someone who not only is not bribeable but who chases me round the house and makes sure I eat what he's cooked, and he lays out my vitamin pills and supplements in front of me so I can't 'forget' to take them.
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We'd play at the Ambassador's house for an invited group of dignitaries from the government that might have gone to school in America; to the U.S. Consulate that invites certain people that they're trying to target.
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Howard Altmann has found a way to make language transform itself. If the elusive moment between I and Thou could speak, it might be one of his quietly amazing lines-'you ask the silence to invert itself / like a gymnast in the dark . . . ' Without a trace of rhetoric, In This House reminds us of the power of poetry: to show us how to live in a world in which we are strangers. It's a thrill to come close to such an original and deeply realized art.
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If you talk about big trends at Disney, these movies generally are generated by directors or directorial teams pitching ideas to John Lasseter.
