Florentijn Hofman Quotes
If you work in a public space, you have to be aware that no one is buying a ticket.
Quotes to Explore
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My memory of my home was that it was very happy, and that there was more fun and life there than there was anywhere else.
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All over the world, people are looking at India and saying 'wow', and that's because we have begun to say 'wow' ourselves.
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The nations of Africa, as is true of every continent of the world, from time to time dispute among themselves. These quarrels must be confined to this continent and quarantined from the contamination of non-African interference.
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There are some parts of my life that are wonderful, and it's amazing to get to go to cool events and award shows and things like that, but I think the outside perception is that your life just changes overnight and you wear Dolce and Gabanna suits and drive a Mercedes. But life's just not like that.
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I'm an actor, and I like having attention, I guess. There's a reason I like being on stage. There's a reason I like being in front of a camera. It's that interaction.
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If one line about the film excites me, I try to take it forward.
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There are no rebels in the cinema business.
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Everyone enjoys doing the kind of work for which he is best suited.
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It is the spirit and not the form of law that keeps justice alive.
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I trust every lead in every department. All of the teams are phenomenal artists. All I need to tell them is why to do something, not how to do something.
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NRDC has helped bring hope spots to more of our shared ocean waters. We helped draft and pass a California law creating a network of underwater parks stretching from the Oregon border to the Mexican border.
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There are some things that money can't buy: peace of mind, for starters, and lean muscle mass. Neither the Queen of England nor the founder of Microsoft can put in an order for either one.
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I'm not denying that it's exciting to have a play on Broadway.
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Historically, the Balkans have been an incubator of war.
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I have mad luck. I'm super-good at games like backgammon or anything that requires rolling dice.
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Some people feel that what we're doing makes no sense, that it's just a waste of money. But it's working.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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I went into acting as psychotherapy, and it's still a work in progress.
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Once you realize just the sort of glut of books that exists out there, it does become incumbent on you not to add to it unless you have a damn good reason.
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I was in 30-plus clubs when I was 14 years old.
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I'm not in the type of work where you should rest.
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What happens when I go to America is I sound really English. Most people would start sounding American, but I do the opposite.
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To conflict journalists, a tiny, tight-knit tribe, tragedy is practically an occupational requirement: our work requires us to seek it out, measure it, contextualize it, and chronicle it.
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If you work in a public space, you have to be aware that no one is buying a ticket.
