Mel Brooks Quotes
Look, I don't want to wax philosophic, but I will say that if you're alive you've got to flap your arms and legs, you've got to jump around a lot, for life is the very opposite of death, and therefore you must at very least think noisy and colorfully, or you're not alive.
Quotes to Explore
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I really enjoy getting to go and play on other people's shows for an episode or two. It adds such variety to my repertoire.
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If you think about it, you can have the best CGI, but you can always tell that it is CGI. Your brain can spot that is not real even though you think it looks cool. Your brain knows the truth, so you don't jump and you don't scream. It was very important for me to expose the audience to real elements.
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There is nothing more exciting in sport when the top two countries in the world are battling for the Ashes.
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The struggle to get weapons is continuous, but the United States will aid us, if it finds Israel displaying a willingness for peace.
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It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.
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I worry about people who sell out to chase fame because when they get it, it might not be so satisfying.
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One's own religion is after all a matter between oneself and one's Maker and no one else's.
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I was a big fan of Indiana Jones; then I realized he was kind of a fake hero. The real heroes are the people who work hard and do their stuff right, like firefighters and policemen.
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Socrates was famously executed for his philosophical and political beliefs. I wondered what would happen if you had a similar character, who was so relentlessly questioning of everything? In a modern society, would we be any more or any less tolerant of that kind of character?
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When you're bad in the NBA, you're in the lottery. When you're great in college, you get multiple lottery picks.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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Playing further up the pitch, you have more opportunities to score and provide assists, and it's something I liked right from the start.
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The 1957 crisis in Little Rock, brought about by the desegregation of Little Rock Central High School, was a huge part of the march toward freedom and opportunity in America.
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My father played guitar, so I always wanted to play for that reason. But I think the biggest reason was just the '90s in general - growing up listening to the Smashing Pumpkins, Green Day and bands like that, and going to concerts and thinking it was the coolest thing in the world.
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My characters are fictional. I get ideas from real people, sometimes, but my characters always exist only in my head.
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I don't particularly like L.A.
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If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'
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When you catch other people with a sound like yours, that's when you know you did something.
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But I have fun with the fright, work with it. You have to - that's your timing, that beat of excitement. And when I go on stage, it's just like taking a step into heaven. Poof, you know? Poof - and there I am.
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As a callow 18-year-old leaving for college, I'd seen my home town as a mere launching pad for a life in worldlier locales, a place to be from rather than a place to be.
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It's like this, by not giving my album a classic rating, you diminish your magazine's credibility. And that's real.
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In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.
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If our sex life were determined by our first youthful experiments, most of the world would be doomed to celibacy. In no area of human experience are human beings more convinced that something better can be had only if they persevere.
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Look, I don't want to wax philosophic, but I will say that if you're alive you've got to flap your arms and legs, you've got to jump around a lot, for life is the very opposite of death, and therefore you must at very least think noisy and colorfully, or you're not alive.
