Randy Castillo Quotes
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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I like to prove people wrong.
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Making fun of born-again Christians is like hunting dairy cows with a high powered rifle and scope.
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I like to get to bed with a clear head.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on.
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Evil is like water, it abounds, is cheap, soon fouls, but runs itself clear of taint.
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My arm bones looked like chicken bones.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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I have a lot of vinyl, but I only buy old records on vinyl. Like secondhand. It's too expensive otherwise.
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The infectiousness of crime is like that of the plague.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I like Brad Pitt; I just have nothing to do with him.
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Well, only Japanese may understand it, but I'm like a goat or something that likes high places.
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I decide immediately if I like a person and if I do, then I'm myself, and if I don't, then I give nothing.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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We are like the mechanism of a watch: each part is essential.
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Kicks are my forte. I've got strong legs and high kicks. And I've got very good reach, obviously.
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But nearly every woman I know has a roughly similar story - in fact, dozens of them: stories about being obsessed with a celebrity, work colleague or someone they vaguely knew for years; living in a parallel world in their head; conjuring up endless plots and scenarios for this thing that never actually happened.
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Broadway remains the closest thing we have to a national theatre, the place where the greatest number of people can potentially see new work. For an American playwright to say it doesn't matter is simply to capitulate to the current situation.
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I dare anyone to play like Charlie Watts.
