George A. Romero Quotes
Quotes to Explore
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If you're in a dark place, you're there for a reason. And the only way to get through to those kids or to other people going through the same thing is really to meet them in that dark place and then slowly bring them to the light.
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At 10, I heard Neil Diamond's 'Solitary Man' and it moved me so deeply I stood, frozen in place during school recess, feeling such empathy for the narrator in Diamond's masterpiece that my heart was smashed.
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People return my phone calls now, which is really interesting. I'll tell you what I've learned that's kind of bittersweet. So many doors have opened up. I've met everybody in the business. I'm fortunate people want to work with me.
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I think I've always been somebody to break rules.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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A lot of people go in and have to create their own characters, and they do fine with it.
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We have guidance counselors that have caseloads of 500 to 600 children. We don't have enough to help the children.
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I've served on the International Relations Committee.
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With every film that you do, you're always so nervous. You feel exposed because you know people will see this eventually. You sort of have to put all that out of your head. What will be will be. But it's nerve wracking.
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Being a woman in music was fine, but when I wanted to direct, I was poking my head into a man's world.
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When people are in the midst of really heavy stuff and still have a sense of humor, I admire that.
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You get to a new school, and you're the new guy, or you're the foreigner, or you're the guy with the funny accent. That first day at school was a whole new opportunity to create a new persona.
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First of all, I want to thank the Buccaneers for giving me the opportunity and for picking me in the draft. This is the nature of the beast, though, and this is a new start for me. I wish them the best of luck, and I am just glad to be a Bear.
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I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
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Anyone who tells you they don't need to rewrite, they're usually the ones who need it worst.
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Our soldiers and people form one family. United, we may count on victory.
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A friend of mine had this great theory about the Teletubbies, that it's preparing us for being mindless. And getting us ready for living in an underground world. That's why the scenery is so flat.
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It was surreal to play opposite Angela Lansbury and Elaine Stritch, Bernadette Peters and Catherine Zeta-Jones. There was so much to learn just from watching them, and it was an honor to share the stage with women who have accomplished what they have.
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I've never been a really big fan of theatre. I don't know why. It's so much for effort. It's much more difficult for me than stage acting just because of the pressure that's piled on you and you have to learn the entire performance by heart.
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Am I R&B because I'm black? Am I pop because I have a song called 'Milkshake'? Or can I just be who the hell I am? Good Lord, people make it seem like we're doing heart transplants here, but we're just making music!
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Women have become at the forefront of these demonstrations and lines in protests - in the medical camps, in the security services, in the strategic planning for the revolution and the strategic planning for the civil democratic society after the revolution.
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I have a soft spot in my heart for the zombies.
