George A. Romero Quotes
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For a Catholic kid in parochial school, the only way to survive the beatings - by classmates, not the nuns - was to be the funny guy.
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Back then, in 1968, everything was suspect - family, government, and obviously the family unit in 'Night of the Living Dead' completely collapses. That's what we were focused on.
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Comic books and radio were my escape. I even remember 3-D comic books where you put on the red-and-green glasses and Mighty Mouse would punch you in the face. It was the literature of the day for kids my age who were too bored with listening to 'Peter and the Wolf' on the record player.
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My stories are about humans and how they react, or fail to react, or react stupidly. I'm pointing the finger at us, not at the zombies. I try to respect and sympathize with the zombies as much as possible.
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I liked the '28 Days Later' films, but they're not zombies; they're not dead. They're not using it in the same way.
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I'd love to make a film like 'Pan's Labyrinth.'
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I love 'Shaun of the Dead.'
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The hardest thing when you're making a zombie movie is, 'How am I going to kill these zombies? I need a clever way to knock these guys off.'
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I have a soft spot in my heart for the zombies.
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I've never had a zombie eat a brain! I don't know where that comes from. Who says zombies eat brains?
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Nursery rhymes were political when they were first written! To me, that's what it's about: it's about using it to say something more than just what the story is.
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I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.
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If you look to the few films that have been really successful, 'Insidious,' 'Paranormal Activity,' it's all basically the old monsters.
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Because of 'World War Z' and 'The Walking Dead,' I can't pitch a modest little zombie film which is meant to be sociopolitical.
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When I was growing up, I actually went through, in New York City, blackouts when we had to close the windows and worry about air raids. I don't know whether or not those were realistic worries or not, but as a kid, when we all had to run around pulling down the drapes and turning the lights off; it was a very frightening experience.
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I grew up on EC comic books and 'Tales From the Crypt,' which were all loaded with humor, bad jokes, and puns. I can have that kind of fun and make these comic book movies but, at the same time, talk about things I want to talk about - whether it's consumerism or the Bush administration or war.
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I used to be able to pitch them on the basis of the zombie action, and I could hide the message inside that. Now, you can't. The moment you mention the word 'zombie,' it's got to be, 'Hey, Brad Pitt paid $400 million to do that.'
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Most of my stuff was sort of of-the-time. 'The Crazies' was, basically, we were angry about Vietnam, and it had a reason for being.
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The horror films that I've made have been satirical in one way or another or political, and I really think that's the purpose of horror. I don't see that happening very often.
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Zombies are always moving fast in video games. It makes sense if you think about it. Those games are all about hand-eye coordination and how quickly can you get them before they get you.
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You just wish you could lobotomize yourself and just do a thing that's really on instinct. There's always a certain self-consciousness. And you worry about that.
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I remember when John Cameron Swayze over the television told me personally that the Russians now had the atomic bomb; then I knew that we were goners.
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I will never make a film where zombies are threatening to take over the planet.
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What the Internet's value is that you have access to information but you also have access to every lunatic that's out there that wants to throw up a blog.